洛丽塔中的洛丽塔

Masha Levina-Parker, Independent Researcher
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引用次数: 0

摘要

文章探讨了小说中洛丽塔形象的建构。从表面上看,洛丽塔的形象是亨伯特叙事的完整建构。然而,纳博科夫创作小说的方式却使某些有助于洛丽塔形象形成的经验逃脱了叙述者的控制。为了理解《洛丽塔》的形象是如何建构的,有必要分析纳博科夫是如何建构亨伯特关于《洛丽塔》的叙述的。亨伯特的叙事中包含着一些隐藏的自主符号,这些符号偏离了亨伯特叙事的可见维度,修饰了洛丽塔的形象。
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LOLITA IN LOLITA
The article explores the construction of the image of Lolita in the novel. Seemingly, the image of Lolita is a complete construct of Humbert’s narration. However, Nabokov’s way of composing the no vel allows certain empirics contributing to formation of Lolita’s image to escape the control of the narrator. In order to understand how Lolita’s image is constructed, it is necessary to analyze how Nabokov constructs Humbert’s narration about Lolita. Humbert’s narration contains certain hidden autonomous signs that diverge from visible dimension of his narration and modify the portrait of Lolita.
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D. V. VENEVITINOV’S SONNET «TO THEE, OH PURE SPIRIT, THE SOURCE OF INSPIRATION…»: DATING, POETICS, SCHELLINGIAN PLOT MEMORY AND TEXT: N. N. BERBEROVA ON A. A. BLOK SOME THOUGHTS ON THE NOSE BY N. V. GOGOL AT THE GATES OF THE RUSSIAN HANDWRITTEN TRADITION OF MODERN TIMES THAT LEAVES ROGOZHIN?
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