让战争鲜活起来

Dalpat S. Rajpurohit
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引用次数: 2

摘要

Dalpat Rajpurohit表明,尽管18世纪晚期的诗人Padmakar Bhatt在布拉杰巴沙创作,但他从多种传统的军事诗歌中吸收了韵律和风格惯例。当然,帕德玛卡借鉴了拉贾斯坦邦的rāso和Diṅgaḷ诗歌,但他的工作基础是人们可能想不到的文本知识,例如,图尔西达斯的Rāmcaritmānas。Rajpurohit描述了从各种来源汲取的军事诗歌技巧是如何进入17世纪和18世纪的布拉杰巴沙诗歌的。他展示了这个范围如何为帕德玛卡提供了工具来构建一个关于战争的教学描述,这样他就可以把阿努普吉尔·戈萨因描绘成一个理想的刹帝利战士。
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Making the War Come Alive
Dalpat Rajpurohit demonstrates that although the late eighteenth-century poet Padmakar Bhatt composed in Brajbhasha, he incorporated metric and stylistic conventions from martial poetry found in multiple traditions. Certainly Padmakar drew on the rāso and Diṅgaḷ poetry of Rajasthan, but he worked on the basis of a knowledge of texts one might not expect, for example, the Rāmcaritmānas of Tulsidas. Rajpurohit describes how techniques of martial poetry drawn from various sources made their way into the Brajbhasha poetry of the seventeenth and eighteenth centuries. He shows how this range provided Padmakar with the tools to construct a didactic account of war so that he could present Anupgir Gosain as an ideal Kshatriya warrior.
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