1950-80年代苏尔汗绿洲的陶器艺术

Sayora A. Ergasheva
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摘要

这篇文章讲述了陶瓷的历史和它的特点,它是苏坎达里手工艺的一种。科学分析了乌兹别克斯坦传统民族背景下工艺发展的社会精神基础,总结了乌兹别克斯坦民间工艺发展的千年经验。陶器是乌兹别克民族传统手工艺之一,长期以来一直被视为工艺品之一。20世纪初,各种技术和机制开始用于手工艺品的生产。这对艺术生产的质量产生了重大的负面影响。到20世纪50年代和80年代,陶瓷使许多物品消失了。然而,绿洲陶工们继续他们的工作,保持着师徒相传的传统
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POTTERY ART OF SURKHAN OASISIN 1950-80s
The article tells about the history of ceramics and its features, which is one of the types of crafts in Surkhandarya. A scientific analysis of the social and spiritual basis for the development of crafts in Uzbekistan in the traditional national context and the thousand-year experience of folk crafts are given. Pottery is one of the national handicraft traditions of the Uzbek people, which has long been valued as one of the crafts. At the beginning of the twentieth century, various techniques and mechanisms began to be used in the production of handicrafts. This has had a significant negative impact on the quality of art production. By the 1950s and 1980s, ceramics had made many items disappear. Nevertheless, the oasis potters continued their work, remaining true to the tradition of the master apprentice
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