在与BANTEN GEBOGAN的比赛中表现出的审美价值

I. W. Rudiarta, I. M. Rajendra
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摘要

本研究旨在分析经历了现代化变革的万丹格布根,探索更多的艺术和审美价值。Gebogan是印度教徒在yadnya仪式上使用的一种供品。数代以来,巴厘岛的印度教徒一直用Gebogan画山。本研究采用定性研究方法,并通过图书馆研究和文献研究获得数据。然后对收集到的数据进行分析,通过数据简化、数据呈现得出结论,并以探索性叙述的形式呈现数据。研究结果表明,印度人用banten gebogan来表达对Ida Sang Hyang Widhi Wasa的感激之情,所以传统上他们使用各种当地的食材/设施。但随着时代的发展,gebogan已经朝着更美观的形状、材料/使用建议以及功能的方向转变。已经发生的变化是基于一些事情,比如对Ida Sang xiang Widhi Wasa的奉献形式,艺术和美学的表达以及人们想要实用,有效和高效的东西。gebogan的变化更加审美化,正在经历现代化,这是奉献服务的表现,它始于使仪式手段充满美(sundaram)的意图,而不忘记真理原则(Satyam)和圣洁原则(sivam)。关键词:美学,格博干,印度教
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EKSPRESI NILAI ESTETIKA DALAM TETANDINGAN BANTEN GEBOGAN
This study aims to analyze the banten gebogan which has undergone a change towards modernization which explores more artistic and aesthetic values. Gebogan is a form of offering used by Hindus in a yadnya ceremony. Gebogan has been used for generations by Balinese Hindus as a means of panning to resemble a mountain. This study uses a qualitative approach with data obtained through library research and documentation studies. The data that has been collected is then analyzed through data reduction, data presentation to conclusions and the data is presented in the form of an exploratory narrative. The results of the study show that banten gebogan is one of the offerings used by Hindus to show gratitude to Ida Sang Hyang Widhi Wasa, so traditionally they use various local ingredients/facilities. But in rhythm with the times, gebogan has changed towards a more aesthetically pleasing shape, materials/suggestions used as well as in terms of function. The changes that have taken place are based on a number of things, such as the form of devotion to Ida Sang Hyang Widhi Wasa, expressions of art and aesthetics and the people wanting something practical, effective and efficient. Changes in gebogan to be more aesthetic and undergoing modernization are manifestations of devotional service which began with the presence of the intention to make ceremonial means full of beauty (sundaram), without forgetting the principle of truth (Satyam) and the principle of holiness (sivam).Keywords: Aesthetic, Gebogan, Hindu
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