创造机会:当非科学帮助回答科学问题

O. Sokolova
{"title":"创造机会:当非科学帮助回答科学问题","authors":"O. Sokolova","doi":"10.5840/eps20236016","DOIUrl":null,"url":null,"abstract":"In this reply to the article by A.M. Dorozhkin and S.V. Shibarshina, the question of the creative nature of the randomization technique is considered, which is understood as a rejection of logically obvious ways to solve scientific problems, and involves the inclusion of an element of randomness, or uncertainty, in the scientific search procedure. Some doubt is expressed about the consequences of introducing the technique of epistemological randomization into the tactics of solving scientific problems. The author of the article emphasizes the fact that an attempt to solve scientific problems by an inclusion of other, non-scientific elements in the area of science may be a case of randomization. The author determines the areas which are subject to an uncertainty factor. Art and culture are regarded as such non-science areas. However, the appeal to uncertainty is an indication of a fundamental inability to describe in quantitative terms the origin of creativity. This position can be characterized as “misterianism” in the interpretation of creativity, by analogy with misterianism in the understanding of consciousness by K. McGinn. In this case, the randomization technique is nothing more than one of the possible conditions for creativity, which cannot guarantee the appearance of an original result.","PeriodicalId":369041,"journal":{"name":"Epistemology & Philosophy of Science","volume":"8 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Creativity Opportunities: When Non-science Helps o Answer Scientific Questions\",\"authors\":\"O. Sokolova\",\"doi\":\"10.5840/eps20236016\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In this reply to the article by A.M. Dorozhkin and S.V. Shibarshina, the question of the creative nature of the randomization technique is considered, which is understood as a rejection of logically obvious ways to solve scientific problems, and involves the inclusion of an element of randomness, or uncertainty, in the scientific search procedure. Some doubt is expressed about the consequences of introducing the technique of epistemological randomization into the tactics of solving scientific problems. The author of the article emphasizes the fact that an attempt to solve scientific problems by an inclusion of other, non-scientific elements in the area of science may be a case of randomization. The author determines the areas which are subject to an uncertainty factor. Art and culture are regarded as such non-science areas. However, the appeal to uncertainty is an indication of a fundamental inability to describe in quantitative terms the origin of creativity. This position can be characterized as “misterianism” in the interpretation of creativity, by analogy with misterianism in the understanding of consciousness by K. McGinn. In this case, the randomization technique is nothing more than one of the possible conditions for creativity, which cannot guarantee the appearance of an original result.\",\"PeriodicalId\":369041,\"journal\":{\"name\":\"Epistemology & Philosophy of Science\",\"volume\":\"8 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1900-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Epistemology & Philosophy of Science\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5840/eps20236016\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Epistemology & Philosophy of Science","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5840/eps20236016","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0

摘要

在这篇由A.M.dorzhkin和S.V. Shibarshina,研究了随机化技术的创造性本质问题,它被理解为拒绝逻辑上明显的方法来解决科学问题,并涉及在科学研究过程中包含随机性或不确定性元素。有人对将认识论随机化技术引入解决科学问题的策略的后果表示怀疑。这篇文章的作者强调这样一个事实,即试图通过在科学领域中纳入其他非科学因素来解决科学问题可能是一种随机化的情况。作者确定了受不确定性因素影响的领域。艺术和文化被视为这样的非科学领域。然而,对不确定性的诉求表明,人们根本无法用定量的术语来描述创造力的起源。这种立场可以被描述为解释创造力的“神秘主义”,与K. McGinn对意识的理解中的神秘主义相类似。在这种情况下,随机化技术只不过是创造力的可能条件之一,它不能保证原始结果的外观。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
Creativity Opportunities: When Non-science Helps o Answer Scientific Questions
In this reply to the article by A.M. Dorozhkin and S.V. Shibarshina, the question of the creative nature of the randomization technique is considered, which is understood as a rejection of logically obvious ways to solve scientific problems, and involves the inclusion of an element of randomness, or uncertainty, in the scientific search procedure. Some doubt is expressed about the consequences of introducing the technique of epistemological randomization into the tactics of solving scientific problems. The author of the article emphasizes the fact that an attempt to solve scientific problems by an inclusion of other, non-scientific elements in the area of science may be a case of randomization. The author determines the areas which are subject to an uncertainty factor. Art and culture are regarded as such non-science areas. However, the appeal to uncertainty is an indication of a fundamental inability to describe in quantitative terms the origin of creativity. This position can be characterized as “misterianism” in the interpretation of creativity, by analogy with misterianism in the understanding of consciousness by K. McGinn. In this case, the randomization technique is nothing more than one of the possible conditions for creativity, which cannot guarantee the appearance of an original result.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
自引率
0.00%
发文量
0
期刊最新文献
Popper and His Popular Critics: Thomas Kuhn, Paul Feyerabend and Imre Lakatos: Appendix Has Science Ever Been “Normal”? A Reply to “How is Post-Normal Science Possible?” by Lada Shipovalova On the Universality of Philosophical Reflection: Reply to Critics The History of Science in the Context of the State Ideology Criticism of Cartesian Account of Self-Knowledge in English-speaking Analytic Philosophy
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1