亚伯拉罕一神论和形象:全景图。

François Boespflug
{"title":"亚伯拉罕一神论和形象:全景图。","authors":"François Boespflug","doi":"10.1344/EBIZANTINOS2019.7.8","DOIUrl":null,"url":null,"abstract":"This study is conducted through the form of a triptych. In the first part, we evoke the unprecedented situation in which the three monotheisms stand before the images, due, among other factors, to the Internet. We also aim to specify the meaning of every term used, in order to avoid simplifications in regard to their respective connections with the images. The second part, that is, the central panel of the triptych, intends to recall how each of the three religions, especially in its beginnings, dealt with images in general, and images of religious inspiration in particular. The third part examines the possible link between the hostility of nascent Islam towards the images and the well-known Controversy in Byzantium, also advocating the creation, within each of the three religions, of competent instances to designate those images that represent them properly.","PeriodicalId":303500,"journal":{"name":"Revista de Estudios Bizantinos","volume":"97 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Los monoteísmos abrahámicos y las imágenes: un panorama.\",\"authors\":\"François Boespflug\",\"doi\":\"10.1344/EBIZANTINOS2019.7.8\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This study is conducted through the form of a triptych. In the first part, we evoke the unprecedented situation in which the three monotheisms stand before the images, due, among other factors, to the Internet. We also aim to specify the meaning of every term used, in order to avoid simplifications in regard to their respective connections with the images. The second part, that is, the central panel of the triptych, intends to recall how each of the three religions, especially in its beginnings, dealt with images in general, and images of religious inspiration in particular. The third part examines the possible link between the hostility of nascent Islam towards the images and the well-known Controversy in Byzantium, also advocating the creation, within each of the three religions, of competent instances to designate those images that represent them properly.\",\"PeriodicalId\":303500,\"journal\":{\"name\":\"Revista de Estudios Bizantinos\",\"volume\":\"97 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1900-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Revista de Estudios Bizantinos\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1344/EBIZANTINOS2019.7.8\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Revista de Estudios Bizantinos","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1344/EBIZANTINOS2019.7.8","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0

摘要

本研究通过三联画的形式进行。在第一部分,我们唤起了前所未有的情况下,三个一神论站在图像,由于,除其他因素外,互联网。我们还旨在说明所使用的每个术语的含义,以避免简化它们各自与图像的联系。第二部分,也就是这幅三联画的中心画板,旨在回顾这三种宗教,尤其是在其开始时,是如何处理一般的图像,尤其是宗教灵感的图像的。第三部分考察了新生的伊斯兰教对这些图像的敌意与拜占庭著名的争议之间的可能联系,也提倡在三种宗教中创造有能力的实例来指定那些恰当地代表他们的图像。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
Los monoteísmos abrahámicos y las imágenes: un panorama.
This study is conducted through the form of a triptych. In the first part, we evoke the unprecedented situation in which the three monotheisms stand before the images, due, among other factors, to the Internet. We also aim to specify the meaning of every term used, in order to avoid simplifications in regard to their respective connections with the images. The second part, that is, the central panel of the triptych, intends to recall how each of the three religions, especially in its beginnings, dealt with images in general, and images of religious inspiration in particular. The third part examines the possible link between the hostility of nascent Islam towards the images and the well-known Controversy in Byzantium, also advocating the creation, within each of the three religions, of competent instances to designate those images that represent them properly.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
CiteScore
0.20
自引率
0.00%
发文量
0
期刊最新文献
Purificación Ubric Rabaneda (ed.), Writing History in Late Antique Iberia. Historiography in Theory and Practice from the 4th to the 7th Century, Amsterdam, Amsterdam University Press 2022 [ISBN: 9789463729413]. Albrecht Berger. Nikephoros Xanthopulos. Das Gedicht auf die jüdische Geschichte (Münchner Arbeiten zur Byzantinistik 5), Munich, Utzverlag 2022, 218 pp. [ISBN: 9783831649730] Note critiche al testo della metafrasi planudea delle Heroides Crusader Constantinople’s Crucified Constable? Von der spätbyzantinischen zur osmanischen topographia sacra in Thrakien: der Derwishkonvent des Qĭzĭl Delü bei Didymoteichon/Dimetoka
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1