寻找身份:大学博物馆作为一个研究问题(1960 - 2020)

K. Ilina
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摘要

本文着重对“大学博物馆”概念的研究认识进行重构。大学博物馆起源于17世纪末,当时是供学生教学的房间。随着时间的推移,大学博物馆最终向公众开放,并被纳入大学的传教活动。他们也开始充当封闭的大学和社区之间的中介。博物馆成为“大学的橱窗,是大学生活质量的荣誉和骄傲的源泉”。50年来,研究人员一直在讨论大学博物馆的独特性及其面临的问题。与学术领域的密切联系,直接接触科学家的知识和技能,科学学校的传统,研究和出版物,使大学博物馆与其他博物馆相比是独一无二的。其中一个重要的问题是高校博物馆与公众的关系。它包括大学博物馆与公共博物馆的区别,大学博物馆工作人员的专业化,吸引游客和赞助商,以及大学博物馆的展览政策对社会和国家的依赖程度。对大学博物馆问题的理论认识激发了致力于解决实际问题和普及大学收藏的国家和国际协会的组织。
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In search of identity: The university museum as a research question (1960s–2020)
The article focuses on the reconstruction of the research understanding of the “university museum” concept. University museums originated at the end of the 17th century as rooms for teaching students. Over time, university museums were eventually opened to the public and included in the missionary activities of a university. They also began to serve as an intermediary between the closed university and the community. The museums became “a shop window for universities, a source of prestige and pride which contributes to the quality of life within a university”. For 50 years researchers have been discussing the uniqueness of university museums and the problems they face. The close connection with the academic sphere, direct access to the knowledge and skills of scientists, the traditions of scientific schools, research and publications, makes university museums unique in comparison to other museums. One of the important problems is the correlation between university and public in university museums. It includes the distinction between university and public museums, the professionalization of university museum staff, attracting visitors and sponsors, and the degree of dependence of the exhibition policy of university museums on society and the state. The theoretical understanding of the problems of university museums has provoked the organization of national and international associations dedicated to solving practical issues and popularizing university collections.
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