帕特里克·莫迪亚诺小说《Noces之旅》中的自我认识之旅

Vytautas Bikulčius
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摘要

本文运用地理批判的方法,分析了法国作家、诺贝尔文学奖得主帕特里克·莫迪亚诺(Patrick Modiano)的小说《旅行》(Voyage de noces, 1990)中通往自我认识的一段旅程。旅行被理解为通往自我认识的道路,因为小说中的人物会根据他们所处的地方而发生变化。这种旅程有几种形式:它可以简单地从一个地方到另一个地方,也可以有逃避现实的一面,最终被理解为驱逐出境。在所有这些情况下,旅程的性质都取决于角色如何看待自己。叙述者承认他的目的是为小说中的人物英格里达写自传。因此,他开始了一段穿越她内心世界的旅程,这自然会比从一个地方到另一个地方持续的时间更长。这些地方通常被描述为中心和外围,国家的首都和郊区或首都和国家的地区。叙述者试图理解英格丽达的生活和信仰的变化,同时作者的自我认识也发生了变化:他成为了一名作家。
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A Journey toward Self-knowledge in Patrick Modiano’s Novel Voyage de Noces
In this paper, based of a geocritical approach, a journey as some path leading toward self-knowledge in the novel of Patrick Modiano, French writer and Nobel Prize winner, Voyage de noces (1990), has been analyzed. A journey is understood as a path that leads toward self-knowledge because the characters of the novel undergo changes depending on the place they find themselves in. This journey gains several forms: it can simply be a journey from one point to another, also can have the aspect of escapism and finally be understood as deportation. In all these cases the nature of the journey changes depending on how the characters perceive themselves. The narrator admits that his aim is to write the autobiography of Ingrida, the character of the novel. Thus he sets out on a journey through her inner world, that naturally will last longer than the one from one point to another. The places are generally depicted as central and peripheral, the capital of the country and its outskirts or the capital and the regions of the country. The narrator tries to understand changes in Ingrida’s life and her faith, at the same time changes in the author’s self-knowledge happen: he becomes a writer.
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