宾·克罗斯比的明星地位与派拉蒙电影《亚瑟王宫廷里的康涅狄格北方佬》中的传奇描写

M. Woller
{"title":"宾·克罗斯比的明星地位与派拉蒙电影《亚瑟王宫廷里的康涅狄格北方佬》中的传奇描写","authors":"M. Woller","doi":"10.1093/oso/9780197511022.003.0002","DOIUrl":null,"url":null,"abstract":"This chapter discusses the 1949 film A Connecticut Yankee in King Arthur’s Court, starring Bing Crosby. This later film does not adapt the Rodgers and Hart musical; instead, it acts as a star vehicle for Crosby and features new songs by Jimmy Van Heusen and Johnny Burke. Less influential and enduring than the other works featured within this book, this 1949 film nonetheless provides an interesting counterpoint to the Rodgers and Hart revival of a few years before. The film was a commercial success, and this chapter considers it in that light. Furthermore, the author examines the role of Bing Crosby and considers the purpose of this musical film as a star vehicle. With Crosby singing in four of the five surviving songs within the film, the music utilizes the crooner’s voice and star persona in order to tell the story and sell the film.","PeriodicalId":130473,"journal":{"name":"From Camelot to Spamalot","volume":"1 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Bing Crosby’s Stardom and the Depiction of Legend in Paramount’s A Connecticut Yankee in King Arthur’s Court\",\"authors\":\"M. Woller\",\"doi\":\"10.1093/oso/9780197511022.003.0002\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This chapter discusses the 1949 film A Connecticut Yankee in King Arthur’s Court, starring Bing Crosby. This later film does not adapt the Rodgers and Hart musical; instead, it acts as a star vehicle for Crosby and features new songs by Jimmy Van Heusen and Johnny Burke. Less influential and enduring than the other works featured within this book, this 1949 film nonetheless provides an interesting counterpoint to the Rodgers and Hart revival of a few years before. The film was a commercial success, and this chapter considers it in that light. Furthermore, the author examines the role of Bing Crosby and considers the purpose of this musical film as a star vehicle. With Crosby singing in four of the five surviving songs within the film, the music utilizes the crooner’s voice and star persona in order to tell the story and sell the film.\",\"PeriodicalId\":130473,\"journal\":{\"name\":\"From Camelot to Spamalot\",\"volume\":\"1 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1900-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"From Camelot to Spamalot\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1093/oso/9780197511022.003.0002\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"From Camelot to Spamalot","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1093/oso/9780197511022.003.0002","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0

摘要

本章讨论由宾·克罗斯比主演的1949年电影《亚瑟王宫廷里的康涅狄格北方佬》。这部后来的电影并没有改编罗杰斯和哈特的音乐剧;相反,它是克劳斯比的明星载体,并以吉米·范·休森和约翰尼·伯克的新歌为特色。这部1949年的电影没有本书中的其他作品那么有影响力和持久,但它与几年前罗杰斯和哈特的复兴形成了有趣的对比。这部电影在商业上取得了成功,本章从这个角度来考虑。此外,作者考察了宾·克罗斯比的角色,并认为这部歌舞片的目的是作为明星的载体。克罗斯比在电影中演唱了五首幸存歌曲中的四首,为了讲述故事和销售电影,音乐利用了克罗斯比的声音和明星形象。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
Bing Crosby’s Stardom and the Depiction of Legend in Paramount’s A Connecticut Yankee in King Arthur’s Court
This chapter discusses the 1949 film A Connecticut Yankee in King Arthur’s Court, starring Bing Crosby. This later film does not adapt the Rodgers and Hart musical; instead, it acts as a star vehicle for Crosby and features new songs by Jimmy Van Heusen and Johnny Burke. Less influential and enduring than the other works featured within this book, this 1949 film nonetheless provides an interesting counterpoint to the Rodgers and Hart revival of a few years before. The film was a commercial success, and this chapter considers it in that light. Furthermore, the author examines the role of Bing Crosby and considers the purpose of this musical film as a star vehicle. With Crosby singing in four of the five surviving songs within the film, the music utilizes the crooner’s voice and star persona in order to tell the story and sell the film.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
自引率
0.00%
发文量
0
期刊最新文献
Prelude Notions of Place, Legend, and Broadway in Monty Python’s Spamalot Bing Crosby’s Stardom and the Depiction of Legend in Paramount’s A Connecticut Yankee in King Arthur’s Court Conclusion
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1