劳伦斯《骑马出走的女人》中两性关系的连续性与断续性

Winarti, Anindhiasti Ayu Kusuma Sari, Ginarsiwi Mayangseto, Fitria Naimatul Istiqomah
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引用次数: 0

摘要

对自然和性别的压迫是相互关联的两件事。两者都需要一场解放自然和妇女的斗争,称为生态女权主义。在文学作品中,性别与自然的关系是作者所处现实环境的反映。作者通过文学作品提出了性别和自然的问题,作为一种生态女权主义的斗争形式,人类对自然的一切形式的破坏都会对未来的自然保护产生影响。本研究的目的是找出自然和性别之间的连续性和不连续的生态女性主义话语的一部分在短篇小说的女人骑走了劳伦斯。收集数据的方法是通过仔细阅读故事作为主要数据来源,以及其他期刊和参考书中的文本作为次要数据来源进行观察。结果表明,生态女性主义叙事在小说中是明显的。这个故事讲述了人类作为自然界的主人的地位,他们拥有控制一切事物的力量。把男性角色刻画成倾向于压迫女性的人物,成为故事中对自然的不连续性的一部分。这与女性角色的描述不同,女性角色被认为是自然的守护者,能够建立人与自然和谐关系的连续性。总之,这个故事反映了性别与自然之间不平衡的关系。
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CONTINUITY AND DISCONTINUITY OF GENDER-NATURE RELATIONS IN DH LAWRENCE'S 'THE WOMAN WHO RODE AWAY'
Oppressions of nature and gender are two things that are interrelated. Both require a struggle that leads to the liberation of nature and women called ecofeminism. The Gender-nature relations can be found in literary works as reflections of the reality that surrounds the author. Through literary works, issues related to gender and nature are raised by the author as a form of ecofeminist struggle, that all forms of damage done by humans to nature will have an impact on the preservation of nature in the future. The objective of this study was to find out the continuity and discontinuity between nature and gender as part of the ecofeminism discourse in the short story The Woman Who Rode Away written by DH Lawrence. The method used to collect data was observation through close reading to both the story, as the primary data source, and other texts from journals and reference books as the secondary data sources. The result shows that the narratives of ecofeminism are evident in the fiction. The story tells the position of men as the masters in nature who have the power over all things. The depiction of male characters as the figures who tend to oppress women becomes a part of discontinuity toward nature in the story. This is different from the depiction of the female character who is considered as a caretaker of nature and is able to build a continuity of harmonious relationship between human and nature. In conclusion, the story reflects unbalanced relationships between gender and nature.
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