{"title":"青年、生产方式和社区。","authors":"F. Almeida","doi":"10.1079/9781789243536.0026","DOIUrl":null,"url":null,"abstract":"Abstract\n The concept of creative tourism, which is increasingly established in the world tourism scene, is inspired by the sharing of production modes, projecting the visitor to the role of active participant. It focuses on an element that allows local residents and visitors to share space, time, and knowledge for co-creating products or, more than that, for enabling interpersonal experiences. Today we can share time with an artisan, appropriating his techniques, breaks, materials, impressions, and desires and redesigning the final product to our needs; we can learn traditional dances by temporarily integrating a folkloric ranch; we can fish and cook with a fishing community; or we can share a studio with visual artists to learn how to paint. Despite the multiple languages from which we expand our potential for expression the feeling of belonging to a group, community, context, or a more global society emerges in us. Within this sense of collective identity, of which we are a part and contribute to its co-creation, we review and renew our own desire and individual identities.","PeriodicalId":342652,"journal":{"name":"Creative tourism: activating cultural resources and engaging creative travellers","volume":"1 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Youth, ways of production, and community.\",\"authors\":\"F. Almeida\",\"doi\":\"10.1079/9781789243536.0026\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract\\n The concept of creative tourism, which is increasingly established in the world tourism scene, is inspired by the sharing of production modes, projecting the visitor to the role of active participant. It focuses on an element that allows local residents and visitors to share space, time, and knowledge for co-creating products or, more than that, for enabling interpersonal experiences. Today we can share time with an artisan, appropriating his techniques, breaks, materials, impressions, and desires and redesigning the final product to our needs; we can learn traditional dances by temporarily integrating a folkloric ranch; we can fish and cook with a fishing community; or we can share a studio with visual artists to learn how to paint. Despite the multiple languages from which we expand our potential for expression the feeling of belonging to a group, community, context, or a more global society emerges in us. Within this sense of collective identity, of which we are a part and contribute to its co-creation, we review and renew our own desire and individual identities.\",\"PeriodicalId\":342652,\"journal\":{\"name\":\"Creative tourism: activating cultural resources and engaging creative travellers\",\"volume\":\"1 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1900-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Creative tourism: activating cultural resources and engaging creative travellers\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1079/9781789243536.0026\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Creative tourism: activating cultural resources and engaging creative travellers","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1079/9781789243536.0026","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Abstract
The concept of creative tourism, which is increasingly established in the world tourism scene, is inspired by the sharing of production modes, projecting the visitor to the role of active participant. It focuses on an element that allows local residents and visitors to share space, time, and knowledge for co-creating products or, more than that, for enabling interpersonal experiences. Today we can share time with an artisan, appropriating his techniques, breaks, materials, impressions, and desires and redesigning the final product to our needs; we can learn traditional dances by temporarily integrating a folkloric ranch; we can fish and cook with a fishing community; or we can share a studio with visual artists to learn how to paint. Despite the multiple languages from which we expand our potential for expression the feeling of belonging to a group, community, context, or a more global society emerges in us. Within this sense of collective identity, of which we are a part and contribute to its co-creation, we review and renew our own desire and individual identities.