清代贵州苗族图集:归属与图集系谱

E. Zavidovskaia
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摘要

本文讨论了清代画册,其中包含有关中国西南民族的插图和注释,通常被称为白苗图()或苗族画册,其中有贵州、云南、湖南、海南和台湾的苗族画册。圣彼得堡国立大学图书馆收藏了四本手绘画册——两本关于云南,两本关于贵州。一百多本苗族画册散落在世界各地,最珍贵的早期版本,一些有日期和序言,收藏在西方的博物馆和大学里。本文从图片数量(通常为82张或40张)、图片和文字的位置、图片的特征(有背景或无背景的人物)等标准,以及中国学者在贵州收藏的画册类型学基础上得出的一些结论等方面,提出了整理贵州民族画册的方法。本文讨论了在什么情况下,图的数量从40幅增加到82幅,在19世纪之交,哪些贵州资料被用于注释。这篇论文比较了圣彼得堡大学的两本画册和美国馆藏的插图和文字。总结了对一手史料进行深入研究的必要性,为苗族地方志、《清朝贡图鉴》(1761)等苗族画册的编纂提供了依据。
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Qing Dynasty Miao Albums Illustrating Ethic Groups of Guizhou Province: Attribution and Album Genealogy
The paper addresses Qing dynasty albums containing illustrations and notes about ethnic groups of southwest China usually termed as Baimiaotu 百苗圖, or Miao albums, there are Miao albums illustrating ethnic groups of Guizhou, Yunnan, Hunan, Hainan and Taiwan. Library of St Petesrburg State University holds four hand-painted albums — two on Yunnan, two on Guizhou. Over a hundred Miao albums are scattered across the world, with most valuable early editions, some with dates and prefaces, are housed in the Western museums and universities. The paper shows approaches to systematization of the albums showing Guizhou ethnic groups, including such criteria as number of pictures (usually either 82 or 40), the position of the picture and text, special features of pictures (human figures with or without background), some conclusions are based on the typology of albums housed in Guizhou, which was proposed by Chinese scholars. The paper discusses under what circumstances the number of pictures has increased from 40 to 82 at the turn of the 19th century, what sources on Guizhou were used for annotations. The paper compares illustrations and texts from two St Petersburg University albums and those from the US collections. Conclusion about necessity of deeper study of primary sources, which provided basis for Miao albums, e. g., local gazetteers, “Qing Imperial Illustrations of Tributary Peoples” (1761) etc. is made.
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