{"title":"奥瑞斯忒亚的祭祀、政治和动物意象","authors":"Dimitrios Kanellakis","doi":"10.7146/CLASSICAETMEDIAEVALIA.V68I0.113598","DOIUrl":null,"url":null,"abstract":"In this paper I explore how sacrifice and politics, two central aspects of the Oresteia, are presented through animal imagery and how they are indissolubly linked. In the first section I discuss how the animal imagery attributed to Cassandra constructs a semantic parallelism between her and Iphigenia, the two of them being the only innocent victims in the bloody circle of this trilogy. In the second section I examine how animals are linked to governments and how the quantitative, temporal, and spatial arrangement of animal imagery reveals their sequence.","PeriodicalId":306790,"journal":{"name":"Classica et Mediaevalia","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2019-04-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Sacrifice, Politics and Animal Imagery in the Oresteia\",\"authors\":\"Dimitrios Kanellakis\",\"doi\":\"10.7146/CLASSICAETMEDIAEVALIA.V68I0.113598\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In this paper I explore how sacrifice and politics, two central aspects of the Oresteia, are presented through animal imagery and how they are indissolubly linked. In the first section I discuss how the animal imagery attributed to Cassandra constructs a semantic parallelism between her and Iphigenia, the two of them being the only innocent victims in the bloody circle of this trilogy. In the second section I examine how animals are linked to governments and how the quantitative, temporal, and spatial arrangement of animal imagery reveals their sequence.\",\"PeriodicalId\":306790,\"journal\":{\"name\":\"Classica et Mediaevalia\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2019-04-30\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Classica et Mediaevalia\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.7146/CLASSICAETMEDIAEVALIA.V68I0.113598\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Classica et Mediaevalia","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.7146/CLASSICAETMEDIAEVALIA.V68I0.113598","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Sacrifice, Politics and Animal Imagery in the Oresteia
In this paper I explore how sacrifice and politics, two central aspects of the Oresteia, are presented through animal imagery and how they are indissolubly linked. In the first section I discuss how the animal imagery attributed to Cassandra constructs a semantic parallelism between her and Iphigenia, the two of them being the only innocent victims in the bloody circle of this trilogy. In the second section I examine how animals are linked to governments and how the quantitative, temporal, and spatial arrangement of animal imagery reveals their sequence.
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