同性恋戏剧在自我表露行为中的意义

Novi Andayani Praptiningsih, Ami Kusuma Handayani, Dinda Agustina Putri, Aghitsna Putri Subhiat, D. P. Handayani
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引用次数: 1

摘要

一些印尼人认为同性恋不符合宗教、文化和离经叛道的规范。因为这样的性行为并没有被普遍应用,可以被社会所接受。并不是所有的同性恋者都勇敢,都能自我表露(出柜)。意识到自己是一种爱人的个体需要很长时间来识别、确认和接受自己的性取向。在能够确定自己是同性恋之后,通常个人会开始考虑掩盖或告诉别人自己的身份。当一个同性恋者冒险出柜时,他必须面对许多关于家庭或周围社区的问题,这当然容易引起内部和内部的冲突。在雅加达,同性恋的出柜与未完全出柜,都是为了在别人面前形成某种印象,透过台前与台后的戏剧化,透过安排行为,让别人按照自己的意愿来诠释他们的身份。这项研究的目的是找出在雅加达,同性恋在前台和后台出柜以及同性恋未完全出柜的戏剧过程和模式。研究方法采用主观方法的解释范式,采用定性研究的方式。使用深度访谈、观察、焦点小组讨论(FGD)和文件审查的数据收集技术。数据分析技术应用Miles Huberman的交互模型。结果表明,雅加达的同性恋者在已经完全出柜的前台自我展示,会采取自我推销的策略,甚至夸大其词。但是对于那些还没有完全出柜的同性恋者来说,他们会试图否认和隐藏自己的同性恋身份。但在后台,那些已经或尚未完全出柜的同性恋者,都采取了一种自我推销的策略,通过公开自己来展示自己,尤其是在同性恋群体中。同性恋者对家庭、社区和社会的公开是在他进入社会之前,也就是接受自己是同性恋者。研究建议,加强宗教和以人为本、和谐、亲密/熟悉的家庭成员之间的关系是解决方案,这样国家的一代就不会被困在LGBT的光环中。Keywords-implications;同性恋者;戏剧作法;自我披露;行为
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Implications of Gay Dramaturgy in Self-disclosure Behavior
Some Indonesian people consider that gay is not in accordance with religious, cultural, and deviant norms. Because sexual behavior like this has not been applied in general and can be accepted by society. Not all gays are brave and able to do selfdisclosure (coming out). Individuals who realize themselves as a kind of lover need a long time to identify, confirm, and accept their sexual orientation. Having been able to identify himself as a gay, usually individuals will begin to consider covering up or telling others about this identity. The challenge when a gay person has ventured to come out, he must face a number of questions about the family or the surrounding community, which is certainly prone to cause conflict, both internal and internal. Gay coming out and not fully coming out in Jakarta presents themselves as an effort to grow a certain impression in front of others through the dramaturgy of the front stage and the back stage, by arranging behavior so that other people interpret their identity according to what they want. The aim of the research was to find out the dramaturgy process and model in presenting themselves on the front stage and the gay back stage coming out and gay not fully coming out in Jakarta. The research method uses an interpretive paradigm with a subjective approach, with a type of qualitative research. Data collection techniques using indepth interviews, observation, Focus Group Discussion (FGD), and document review. Data analysis techniques apply interactive models of Miles Huberman. The results showed that Jakarta's gay self-presentation on the front stage that had been fully coming out would do self-promotion tactics and even exaggerate. But in gays who are not fully coming out, they will disclaimer by trying to deny and hide their identity as gay. But on the back stage, gays who have been or have not been fully coming out, both carry out a self-promotion strategy as a technique of presenting themselves by opening themselves, especially in the gay community. Gay openness coming out on family, community, and society is preceded by the coming in process, namely the acceptance of himself as gay. The research recommendation is the strengthening of religion and the relationship between family members who are humanist, harmonious, and close / familiar to be a solution so that the nation's generation is not trapped in the LGBT luster. Keywords—implications; gay; dramaturgy; self disclosure; behavior
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