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摘要

本章探讨了从18世纪末到20世纪初,“事故”在英国法律和社会中的一些法律和文学分支。这一时期见证了与事故有关的普通法和立法的变化,包括过失作为一种独特的侵权行为的出现,以及关于雇主责任和工作场所赔偿的法定规定。这一章的主题转向了法庭判决制度,这是一项普通法规则,允许调查团评估非人类造成的意外死亡的责任。在这些实体开始包括工业机器之后,国会于1846年废除了这一法令。通过对法律历史案例和规范以及文学文化表征的考察,本章声称,deodand的消失,以及同时向过失责任制度的过渡,标志着对事故理解的缺失。如果说19世纪出现的现代事故法倾向于将事故简化为人类相互作用的替代品,那么deodand qua机构则领会到,处理事故需要对人类与非人类因果关系的纠缠保持警惕。交通事故的文学表现提供了在这种不断变化的法律文化分配中即将失去的东西的一瞥。从托马斯·德·昆西到托马斯·哈代再到e·m·福斯特,事故的复杂的非人类的、物质的和情感的维度消失在背景中,在那里它们继续提供叙事和形式动机,即使它们把人类的义务和制度留在光中。
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Accident
This chapter explores some legal and literary ramifications of “accident” in British law and society from the late eighteenth through the early twentieth century. This period saw changes in common law and legislation relating to accidents, including the emergence of negligence as a distinct tort and statutory provisions for employer liability and workplace compensation. The chapter turns on the institution of the deodand, a common-law rule that allowed inquest juries to assess liability for accidental deaths caused by non-humans. After such entities began to include industrial machines, the deodand was abolished by Parliament in 1846. Examining legal-historical cases and norms alongside literary-cultural representations, the chapter claims that the deodand’s disappearance, and concurrent transition to fault liability regimes, marked a loss in the understanding of accident. If the nineteenth-century emergence of modern accident law tended to simplify accidents into surrogates for human interaction, the deodand qua institution grasped how reckoning with accidents demands an alertness to human entanglement with non-human causality. Literary representations of vehicular accidents afford a glimpse of what was coming to be lost in this changing legal-cultural dispensation. From Thomas De Quincey to Thomas Hardy to E. M. Forster, the complex non-human, material, and affective dimensions of accident dissipate into the background, where they continue to supply narrative and formal motivation even as they leave human obligations and institutions in the light.
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