{"title":"《大地惊雷》中的马和阶级","authors":"J. Leonard","doi":"10.7311/pjas.13/1/2019.03","DOIUrl":null,"url":null,"abstract":"This essay returns to Jane Tompkins’ original theory of horses in her 1992 book West of Everything: The Inner Life of Westerns as a means of analyzing Charles Portis’ 1968 novel True Grit, a work which Tompkins does not address. Arguing for a Marxist ideology critique of True Grit with a focus on the main character (and narrator) Mattie Ross and her horse named Little Blackie, the essay offers a critique of Tompkins’ idea of the “material presence” of horses in American Western narratives.","PeriodicalId":384144,"journal":{"name":"Polish Journal for American Studies","volume":"1 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-10-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Horse and Class in True Grit\",\"authors\":\"J. Leonard\",\"doi\":\"10.7311/pjas.13/1/2019.03\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This essay returns to Jane Tompkins’ original theory of horses in her 1992 book West of Everything: The Inner Life of Westerns as a means of analyzing Charles Portis’ 1968 novel True Grit, a work which Tompkins does not address. Arguing for a Marxist ideology critique of True Grit with a focus on the main character (and narrator) Mattie Ross and her horse named Little Blackie, the essay offers a critique of Tompkins’ idea of the “material presence” of horses in American Western narratives.\",\"PeriodicalId\":384144,\"journal\":{\"name\":\"Polish Journal for American Studies\",\"volume\":\"1 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2019-10-15\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Polish Journal for American Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.7311/pjas.13/1/2019.03\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Polish Journal for American Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.7311/pjas.13/1/2019.03","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
This essay returns to Jane Tompkins’ original theory of horses in her 1992 book West of Everything: The Inner Life of Westerns as a means of analyzing Charles Portis’ 1968 novel True Grit, a work which Tompkins does not address. Arguing for a Marxist ideology critique of True Grit with a focus on the main character (and narrator) Mattie Ross and her horse named Little Blackie, the essay offers a critique of Tompkins’ idea of the “material presence” of horses in American Western narratives.
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