{"title":"马塞洛作品中的时代错误与记忆的时间性——贝特朗·巴奎厄访","authors":"Lourdes Monterrubio Ibáñez, Bertrand Bacqué","doi":"10.31009/cc.2022.v10.i18.06","DOIUrl":null,"url":null,"abstract":"Bertrand Bacqué, Associate Professor at the Haute École d’Art et de Design in Geneva, discusses the work of Pietro Marcello, considered to be one of the most remarkable auteurs of the contemporary essay film and its audiovisual thinking process. His focus consists of the relationship to time, and anachronism as the temporality of memory.","PeriodicalId":414949,"journal":{"name":"Comparative Cinema","volume":"18 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2022-07-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Anachronism as Temporality of Memory in the Oeuvre of Pietro Marcello: An Interview with Bertrand Bacqué\",\"authors\":\"Lourdes Monterrubio Ibáñez, Bertrand Bacqué\",\"doi\":\"10.31009/cc.2022.v10.i18.06\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Bertrand Bacqué, Associate Professor at the Haute École d’Art et de Design in Geneva, discusses the work of Pietro Marcello, considered to be one of the most remarkable auteurs of the contemporary essay film and its audiovisual thinking process. His focus consists of the relationship to time, and anachronism as the temporality of memory.\",\"PeriodicalId\":414949,\"journal\":{\"name\":\"Comparative Cinema\",\"volume\":\"18 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-07-20\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Comparative Cinema\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.31009/cc.2022.v10.i18.06\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Comparative Cinema","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.31009/cc.2022.v10.i18.06","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Anachronism as Temporality of Memory in the Oeuvre of Pietro Marcello: An Interview with Bertrand Bacqué
Bertrand Bacqué, Associate Professor at the Haute École d’Art et de Design in Geneva, discusses the work of Pietro Marcello, considered to be one of the most remarkable auteurs of the contemporary essay film and its audiovisual thinking process. His focus consists of the relationship to time, and anachronism as the temporality of memory.
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