穆斯林设计师社区通过平面设计

N. Ar
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引用次数: 0

摘要

本研究是运用社会学和数据科学的方法进行定性的实地研究。该研究的主要数据来源是20(20)名穆斯林设计师社区(MDC)的成员,而次要数据来源是与研究主题相关的阅读或参考文献。采用开放式访谈、参与式观察、文献回顾等方法收集数据,并运用现象学数据分析技术对数据进行分析。民主变革运动在现实世界和网络空间(互联网)中的图形达瓦活动反映了达瓦活动的两个主要维度,即论文传递(bi Ahsan al-qawl)和真理价值观的服从或应用(bi Ahsan al- amal)。MDC将图形打华活动解释为视觉打华的一种形式,是社会对打华认知变化的标志,是当代打华运动的反映,是可能的可视化对应物,也是打华可视化者统一的驱动力。
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DAKWAH MUSLIM DESIGNER COMMUNITY MELALUI DESAIN GRAFIS
The study was qualitative field research using the sociological and da'wah sciences approaches. The primary data source of the study was 20 (twenty) members of the Muslim Designer Community (MDC), while the secondary data sources were readings or references related to the study topic. Open interview, participant observation, and document review were utilized in collecting the data, which were then analyzed through the phenomenological data analysis technique. MDC graphic da’wah activities, both in the real world and in cyberspace (internet) reflected two major dimensions of da’wah activities, namely the dimensions of treatise delivery (bi Ahsan al-qawl) and of the obedience or the application of truth values (bi Ahsan al-’amal). MDC interpreted the graphic da’wah activities as a form of visual da'wah, a marker of changes in society’s perception of dakwah, a reflection of contemporary da'wah movements, a possible visualizer counterpart, and a driver for the unification of the da’wah visualizers.  
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