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引用次数: 5
摘要
在《圣殿》中,乔治·赫伯特的十四行诗《祈祷》(I)紧接在《圣餐》之前。这种安排的全部意义还没有实现,因为“祈祷”(一)一般被认为是一个崇高的溢美之词处理专门与基督教的祈祷行为。小吉恩·爱德华·维特(Gene Edward Veith, Jr.)最接近于意识到《祈祷》(1)和《圣餐》之间的本质联系:他把它们看作是一个系列的独立部分,还有《信仰》(Faith)和《圣餐》(H. Communion)之后的三首诗,它们描述了与上帝交流的各种方式。祈祷确实是这样一种模式,但赫伯特的“祈祷”(1)是关于上帝和他在地球上的信徒之间最亲密的交流,圣餐。“祈祷”(1)和“圣餐”(H. Communion)都有各自的模式,在圣餐中找到了它们的实质。
The Eucharistic Substance of George Herbert's "Prayer" (I)
In The Temple, George Herbert's sonnet "Prayer" (I) immediately precedes "The H. Communion." The full significance of this arrangement has not been realized, since "Prayer" (I) has generally been regarded as a sublime effusion of appositives dealing exclusively with the Christian act of prayer. Gene Edward Veith, Jr. has come closest to realizing the essential link between "Prayer" (I) and "The H. Communion": he sees them as separate parts in a series, along with "Faith" and the three poems following "The H. Communion," which describe the various modes of communion with God.' Prayer is indeed such a mode, but Herbert's "Prayer" (I) is about the closest communion between God and hisfaithful on earth, the Holy Communion. Both "Prayer" (I) and "The H. Communion," each in its own mode, find their substance in the Eucharist.'