Šāh-nāma的Gordāfarid,这个女人彻底改变了naqqāli的传统

Joanna Szklarz, M. Moradi
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摘要

firdows的Šāh-nāma和naqqāli传统是伊朗的两个独特的传统。Šāh-nāma是一部史诗,讲述了前伊斯兰时代的伊朗,以英雄叙事为主。在其他口述传统的背景下,naqqāli的独特之处在于将英雄主义与宗教叙事相结合,以一种观众感兴趣的方式传播什叶派。费尔多斯的作品和naqqāli传统代表了伊朗历史及其传统和文化的两个时期。这些时期被伊斯兰教的入侵和萨珊王朝的灭亡分开。尽管存在一些意识形态上的差异,Šāh-nāma在几个世纪以来一直是naqqāli的来源之一,并且从巴列维王朝早期开始成为其主要焦点。本文简要论述了firdows的naqqāli传统、Šāh-nāma以及两者之间的关系。它还介绍了Gaždaham的女儿Gordāfarid的形象,她是波斯民族史诗的女主角,成为naqqāli传统的革命性变革的灵感-第一位naqqāl女性。
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Gordāfarid of Šāh-nāma, the woman, who revolutionized the naqqāli tradition
Šāh-nāma of Firdowsī and the naqqāli tradition are two distinctive traditions of Iran. Šāh-nāma, an epic that tells the story of pre-Islamic Iran, focuses on a heroic narrative. The naqqāli’s distinctive feature, against the background of other oral traditions, is the combination of heroic and religious narrative in order to spread Shiism in a way that is interesting to the audience. Ferdowsī's work and the naqqāli tradition represent two periods in Iran’s history and its traditions and culture. These periods are separated by the Islamic invasion and the fall of the Sasanid dynasty. Despite some ideological differences, the Šāh-nāma was for a number of centuries one of the sources for naqqāli and from the early period of the Pahlavi dynasty became its main focus. The article briefly discusses the naqqāli tradition, Šāh-nāma of Firdowsī and the relationship between the two. It also introduces the figure of Gordāfarid, daughter of Gaždaham, who, being the heroine of the Persian national epic, became the inspiration for a revolutionary change in the naqqāli tradition – the first naqqāl woman.
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