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摘要

对社会负有责任的艺术家总是试图通过保护其所处地域的所有物质和精神民族文化价值来保持社会的活力。诗人的诗歌也是如此。在巴尔干地区,Zeynel Beksaç 就是这样一位诗人,他多才多艺,尤其是他的诗歌。在本研究中,Beksaç 的诗集《Çetrefil Sevda》(Ç. S.)、《Vurmazsam Namerdim》(V. N.)、《Önce Sevgiye Doğar Güneş》(Ö. S. D. G.)、《Gökkuşağında Salınan Çocuk》(G.S. Ç)书籍和《Rumeli O Benim İşte(R. O B. İşte),(Toplu Şiirler 1971 2017)》、《Rüyalarım Çiçek Açtı(R. Ç. A.),(Toplu Şiirler 1970 2014)》。在 "Rumeli O Benim İşte"、"Vurmazsam Namerdim"、"Çetrefil Sevda"、"Düşünce Usa Durmadı Daha "等书中有一些诗歌并不适合收录其中。这些诗集中的所有诗歌都被纳入研究的主题标题下。首先,简要介绍了 Zeynel Beksaç 及其作品,然后强调了其诗学的方方面面。诗人用自己的情感、思想和对艺术的理解塑造的诗歌的语言、结构、表达技巧和内容,都在实例的子课题中进行了讨论。这些例子在内容上是统一的,没有将其归类为写给成人和儿童的诗歌。
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Zeynel Beksaç'ın Şiirlerinde Dil, Yapı, Anlatım Tekniği ve Muhteva Özellikleri
Artists who are responsible for their society always try to keep it alive by protecting all the material and spiritual national cultural values of their geographies. Poets also do this with their poems. Zeynel Beksaç is such a poet in the Balkans with his versatile feature, especially his poetry. In the study, Beksaç's books “Çetrefil Sevda” (Ç. S.), “Vurmazsam Namerdim” (V. N.), “Önce Sevgiye Doğar Güneş” (Ö. S. D. G.) “Gökkuşağında Salınan Çocuk” (G. S. Ç) books and “Rumeli O Benim İşte (R. O B. İ.), (Toplu Şiirler 1971 2017)”, “Rüyalarım Çiçek Açtı (R. Ç. A.), (Toplu Şiirler 1970 2014)”. There are poems in the books in “Rumeli O Benim İşte”, “Vurmazsam Namerdim”, “Çetrefil Sevda”, “Düşünce Usa Durmadı Daha”, and that do not fit into them. All poems in these books were included in the study under the subject headings. At the beginning, Zeynel Beksaç and his works were briefly introduced, and then his poetics in all aspects was emphasized. The language, structure, expression technique and content of the poems that the poet shaped with his own feelings, thoughts and understanding of art are discussed within subtopics of examples. These examples are presented in a unity of content without being grouped as poems written for adults and children.
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