肯尼思·布拉纳电影《东方快车谋杀案》中的代码混合与代码转换

Wahdini Fauzana, Saidatun Nafisah, Widya Widya
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引用次数: 1

摘要

本研究旨在找出《东方快车谋杀案》部分电影对白和话语中的语码转换和语码混合类型。本研究的数据来源于电影《东方快车谋杀案》中的对白。为达到本研究的目的;研究者采用描述性质的研究方法。本研究采用了Wardhaugh(1986)的码交换理论和Suwito(1983)的码混合理论。语码转换有隐喻语码转换和情景语码转换两种类型,语码混合有外部语码混合和内部语码混合两种类型。从本研究的结果中,作者发现了50个语码混合和语码转换数据,隐喻语码转换数据高达4%至8%,情境语码转换数据高达2%至4%。外混码数据占44%或88%,内混码数据占0%或0%。研究结果表明,语码转换和语码混合的主要形式是隐喻语码转换和外在语码混合。
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Code Mixing and Code Switching in Movie Murder on the Orient Express by Kenneth Branagh
This research aims to identify types of code-switching and code-mixing found in some of “Murder on The Orient Express” movie dialogues and utterances. The source of the data in this research is the dialogue in Murder on The Orient Express movie. To achieve the aims of this research; the researcher uses the descriptive qualitative research method. This study uses the code-switching theory of Wardhaugh (1986) and code-mixing theory of Suwito (1983). There are two types of code-switching consisting of metaphorical code-switching and situational code-switching and two types of code-mixing consisting of outer code-mixing and inner code-mixing. From the results of this study, the authors found 50 data of code-mixing and code-switching and as many as 4 or 8% metaphorical code-switching data, 2 or 4% situational code-switching data. The author also found 44 or 88% outer code-mixing data, and 0 or 0% inner code-mixing data. The research’s result shows that the dominant form of code-switching and code-mixing is metaphorical code-switching and outer code-mixing.
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