叶芝的《尸骨之梦》与全球现代主义的局限

The Edinburgh Companion to Irish Modernism Pub Date : 2020-08-31 DOI:10.3366/edinburgh/9781474456692.003.0004

Cóilín Parsons

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摘要

这件作品试图调和具体与抽象，爱尔兰与日本，现在与过去。景观作为一个有争议的历史的历史重写本，平衡了地点和非地点的诗学。叶芝用不同的尺度来描绘他的世界。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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W. B. Yeats’s The Dreaming of the Bones and the Limits of Global Modernism

This piece attempts to reconcile specificity with abstraction, Ireland with Japan, the present with the past in The Dreaming of the Bones. The landscape works as a historical palimpsest of a contested history, a balancing of the poetics of place and non-place. Yeats maps his world using different scales of measurement.

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The Edinburgh Companion to Irish Modernism

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