审视艺术在肯尼亚作为社会正义工具的使用

Jeon Mukahi
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摘要

目的:本研究的目的是考察艺术作为肯尼亚社会正义的工具。研究方法:本研究采用桌面研究方法。案头研究指的是二手数据或不需要实地调查就能收集到的数据。案头调查基本上涉及从现有资源中收集数据,因此,与实地调查相比,案头调查通常被认为是一种低成本的技术,因为主要费用包括行政人员的时间、电话费和通讯录。因此,这项研究依赖于已经发表的研究、报告和统计数据。这些二手数据很容易通过在线期刊和图书馆获得。调查结果:调查结果显示,在肯尼亚,艺术作为社会正义工具的使用存在着背景和方法上的差距。初步的实证分析显示,艺术教育是促进社会公正的有用工具,因为它提高了学生的参与度,促进了信息和资源的交流。研究显示,社区艺术项目促进了参与者的批判性思维、自我表达和社会凝聚力。它有助于提高对社会正义问题的认识,增强边缘化个人和社区的权能。对理论、实践和政策的独特贡献:批判理论、文化霸权和解放美学可以用来锚定未来在肯尼亚使用艺术作为社会正义工具的研究。政府应该促进艺术的包容性和多样性,支持代表性不足的群体的代表性和知名度,并为艺术家和社区提供资源、资金和平台,以便在解决社会正义问题和放大边缘化声音的项目上合作。
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Examining the Use of Art as a Tool for Social Justice in Kenya
Purpose: The aim of this study was to examine art as a tool for social justice in Kenya. Methodology: The study adopted a desktop research methodology. Desk research refers to secondary data or that which can be collected without fieldwork. Desk research is basically involved in collecting data from existing resources hence it is often considered a low-cost technique as compared to field research, as the main cost is involved in executive’s time, telephone charges and directories. Thus, the study relied on already published studies, reports and statistics. This secondary data was easily accessed through the online journals and library. Findings: The findings revealed that there exists a contextual and methodological gap relating to the use of art as a tool for social justice in Kenya. The preliminary empirical review revealed that art education is a useful tool in promoting social justice, as it enhances student engagement and facilitates the exchange of information and resources. The study revealed that the community art project facilitated critical thinking, self-expression, and social cohesion among participants. It contributed to raising awareness of social justice issues and empowering marginalized individuals and communities. Unique Contribution to Theory, Practice and Policy: The Critical Theory, Cultural Hegemony and Aesthetics of Liberation may be used to anchor future studies on the use of art as a tool for social justice in Kenya. The government should promote inclusivity and diversity in the arts by supporting the representation and visibility of underrepresented groups as well as providing resources, funding, and platforms for artists and communities to collaborate on projects that address social justice concerns and amplify marginalized voices.
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