Horror and Camp: Monsters and Wizards and Ghosts (Oh My!) in Big Mouth

This chapter moves readers from Andrew Smith’s adolescence-as-dystopia to the popular animated Netflix series Big Mouth, which represents adolescence as a horror show. Like Grasshopper Jungle, Big Mouth provides audiences with monstrous avatars for the storm and stress of adolescence. Instead of horny, rampaging mutant mantises, however, Big Mouth offers viewers Hormone Monsters, haunted houses, ghosts, and other Gothic tropes as embodiments of those anxieties that surround puberty and its horrifying humiliations. Unlike Grasshopper Jungle, Big Mouth universalizes queerness, celebrates the polymorphous perversity of childhood, and uses camp to defuse many of the anxieties that attend other representations of adolescent sexuality. Big Mouth offers us a kind of camp with strong ties to shame—what Kathryn Bond Stockton calls “dark camp”—and illustrates how shame and debasement can function as a powerful model of relationality, one that unites the show’s young protagonists through shared queer feelings.