tumt和Pisada:受巴西流行传统启发的两种足控数字舞蹈和音乐乐器

João Tragtenberg, Filipe Calegario, G. Cabral, Geber Ramalho
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引用次数: 4

摘要

本文介绍了“tumt”的开发过程,“tumt”是一种可穿戴的数字舞蹈和音乐仪器,它可以触发跺脚的声音样本,而“Pisada”是一种可以跳舞的MIDI踏板。它是在2012年至2017年期间开发的,由来自伯南布哥Cavalo Marinho和Maracatu Rural的传统组成的舞蹈家和音乐家Helder Vasconcelos使用。这种乐器的设计灵感来自于传统乐器,如Zabumba和Cavalo Marinho的手势词汇,同时制作音乐和舞蹈。该仪器的开发过程描述了通过三种方法进行的三个原型阶段:构建块,手工和数字制造。受巴西传统启发设计数字技术的过程进行了分析,吸取了经验教训,并提出了未来的作品。
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TumTá and Pisada: Two Foot-controlled Digital Dance and Music Instruments Inspired by Popular Brazillian Traditions
This paper presents the development process of “TumTá”, a wearable Digital Dance and Music Instrument that triggers sound samples from foot stomps and “Pisada,” a dance-enabled MIDI pedalboard. It was developed between 2012 and 2017 for the use of Helder Vasconcelos, a dancer and musician formed by the traditions of Cavalo Marinho and Maracatu Rural from Pernambuco. The design of this instrument was inspired by traditional instruments like the Zabumba and by the gestural vocabulary from Cavalo Marinho, to make music and dance at the same time. The development process of this instrument is described in the three prototyping phases conducted by three approaches: building blocks, artisanal, and digital fabrication. The process of designing digital technology inspired by Brazilian traditions is analyzed, lessons learned, and future works are presented.
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