{"title":"六首diwan(诗)之比较(基于新发现的《Bada'i al-bidaya》的德黑兰抄本)","authors":"M. Imomnazarov","doi":"10.52773/tsuull.gold.2021.1/dwek5314","DOIUrl":null,"url":null,"abstract":"The Comparison of the six Diwans (poetry)(Based on the newly discovered the copy of Tehran of “Bada'i al-bidaya”)In this article, the six diwans (poetry) of Alisher Navoi are analysed comparatively, including “Ilk devon”, Oqquyunli muxlislar devoni”, the first pro-diwan of “Bada’i al-Bidaya” (the copy of Paris), the copy of Tashkent that was copied in the poet’s life and considered the last version known to us, the copy written by Abdujamil Katib that was published as the second volume of “The complete works of Alisher Navoi”, and a newly discovered the copy of Tehran. The composition and structure of these diwans (poetry) are compared, providing the necessary conclusions, as well as the most important views are expressed on the periodization of Navoi’s poetry.","PeriodicalId":197666,"journal":{"name":"Golden scripts","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2021-03-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Comparison of the six Diwans (poetry)(Based on the newly discovered the copy of Tehran of “Bada'i al-bidaya”)\",\"authors\":\"M. Imomnazarov\",\"doi\":\"10.52773/tsuull.gold.2021.1/dwek5314\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The Comparison of the six Diwans (poetry)(Based on the newly discovered the copy of Tehran of “Bada'i al-bidaya”)In this article, the six diwans (poetry) of Alisher Navoi are analysed comparatively, including “Ilk devon”, Oqquyunli muxlislar devoni”, the first pro-diwan of “Bada’i al-Bidaya” (the copy of Paris), the copy of Tashkent that was copied in the poet’s life and considered the last version known to us, the copy written by Abdujamil Katib that was published as the second volume of “The complete works of Alisher Navoi”, and a newly discovered the copy of Tehran. The composition and structure of these diwans (poetry) are compared, providing the necessary conclusions, as well as the most important views are expressed on the periodization of Navoi’s poetry.\",\"PeriodicalId\":197666,\"journal\":{\"name\":\"Golden scripts\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-03-10\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Golden scripts\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.52773/tsuull.gold.2021.1/dwek5314\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Golden scripts","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.52773/tsuull.gold.2021.1/dwek5314","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
The Comparison of the six Diwans (poetry)(Based on the newly discovered the copy of Tehran of “Bada'i al-bidaya”)
The Comparison of the six Diwans (poetry)(Based on the newly discovered the copy of Tehran of “Bada'i al-bidaya”)In this article, the six diwans (poetry) of Alisher Navoi are analysed comparatively, including “Ilk devon”, Oqquyunli muxlislar devoni”, the first pro-diwan of “Bada’i al-Bidaya” (the copy of Paris), the copy of Tashkent that was copied in the poet’s life and considered the last version known to us, the copy written by Abdujamil Katib that was published as the second volume of “The complete works of Alisher Navoi”, and a newly discovered the copy of Tehran. The composition and structure of these diwans (poetry) are compared, providing the necessary conclusions, as well as the most important views are expressed on the periodization of Navoi’s poetry.