{"title":"特里·吉列姆的巴西世界中的功效和效率","authors":"Lawrence E. Hazelrigg","doi":"10.5325/soundings.103.2.0158","DOIUrl":null,"url":null,"abstract":"Abstract:The film Brazil, directed by Terry Gilliam (1985), is usually described as something of absurdist theater. It is also, more implicitly, a conversation about bureaucracy, administrative regulation, and dynamic relations of art vis-à-vis everyday life. This article explores that conversation, drawing in part on Hegel and Max Weber, along with the screenplay of this and other films by Gilliam, guided by the question, \"How would one know whether 'life imitates art' rather than the reverse?\"","PeriodicalId":231294,"journal":{"name":"Soundings: An Interdisciplinary Journal","volume":"1 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2020-05-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Efficacy and Efficiency in the World of Terry Gilliam's Brazil\",\"authors\":\"Lawrence E. Hazelrigg\",\"doi\":\"10.5325/soundings.103.2.0158\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:The film Brazil, directed by Terry Gilliam (1985), is usually described as something of absurdist theater. It is also, more implicitly, a conversation about bureaucracy, administrative regulation, and dynamic relations of art vis-à-vis everyday life. This article explores that conversation, drawing in part on Hegel and Max Weber, along with the screenplay of this and other films by Gilliam, guided by the question, \\\"How would one know whether 'life imitates art' rather than the reverse?\\\"\",\"PeriodicalId\":231294,\"journal\":{\"name\":\"Soundings: An Interdisciplinary Journal\",\"volume\":\"1 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2020-05-05\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Soundings: An Interdisciplinary Journal\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5325/soundings.103.2.0158\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Soundings: An Interdisciplinary Journal","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5325/soundings.103.2.0158","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Efficacy and Efficiency in the World of Terry Gilliam's Brazil
Abstract:The film Brazil, directed by Terry Gilliam (1985), is usually described as something of absurdist theater. It is also, more implicitly, a conversation about bureaucracy, administrative regulation, and dynamic relations of art vis-à-vis everyday life. This article explores that conversation, drawing in part on Hegel and Max Weber, along with the screenplay of this and other films by Gilliam, guided by the question, "How would one know whether 'life imitates art' rather than the reverse?"
京公网安备 11010802042870号
京ICP备2023020795号-1
分享
求助内容：
应助结果提醒方式：
扫码关注我们
