中美洲史前景观中的重要地点:秘鲁洛科河流域的岩画和背景

Carmen Pérez Maestro, Primitiva Bueno Ramírez
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引用次数: 0

摘要

这篇文章的目的是扩展关于秘鲁洛科河流域岩石艺术遗址的可用信息。为此,在景观框架内应用了上下文分析,以推断领土的占领模式,地方之间的关系以及前西班牙时代山谷居民的文化行为。我们对这些地点进行了全新的整体解读,其中包括盆地景观的特征,然后关注艺术本身,包括形式特征、联系、惯例和面板上的安排。在此研究的基础上,我们提出了两个避难所的文化序列。这些独特的环境确定了这些遗址的使用和时代性,从它们最初被狩猎采集者占领,可能在更新世到全新世的过渡时期,随后在早期中期被园艺师使用。对所获得的空间和环境数据进行了讨论,并与该地区其他已知遗址的数据进行了比较。反过来,这开辟了与岩石艺术相关的地形和仪式行为相关的新视角。
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Lugares significativos en el paisaje de la prehistoria centroandina: grafías rupestres pintadas y contextos de la cuenca del río Loco, Perú
: The purpose of this article is to expand on the information available on the Loco river basin rock art sites in Peru. To this end, a contextual analysis is applied within the landscape where they are framed, to infer the territory’s occupation modalities, the relations between places, and the cultural behaviors of the inhabitants of the valley in pre-Hispanic times. We present a new holistic reading of these sites which includes the charac-terization of the basin’s landscape to then focus on the art itself, including, formal characteristics, associations, conventions, and arrangements on the panels. On the baisis of this study, we propose a cultural sequence for two of the shelters. These are unique contexts which establish the use and tempo-rality of these sites, from their initial occupation by hunter-gatherer groups, probably during the Pleistocene to Holocene transition and subsequently their use by horticulturalists during the Early Intermediate Period. The spatial and contextual data obtained are discussed and compared with that on other known sites in the region. In turn, this opens up new perspectives related to topographies and ritual behaviors associated to rock-art.
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