{"title":"权力交换:雅克·欧迪亚的电影《先知》中监狱生活的反映","authors":"Damar Jinanto","doi":"10.29037/digitalpress.43285","DOIUrl":null,"url":null,"abstract":"Considering that film is a form \nof social practice, it mostly brings social topic to be discussed. In this \ncontext, a film is a tool to talk about the problems within the society. Topic \nabout power relation in certain social arena is present in Un prophète (The \nProphet), directed by Jacques Audiard. This film tells a story about Malik \nEl-Diebena living behind the bars for six years. In the prison, El-Diebena, who \nis the part of Arabian community, has had conflict with César Luciani, the \nleader of Corsican community. He had to find a strategy to fight against César. \nThis article talks about power relation among the characters to fight against \nsocial structure based on the narrative and cinematographic aspects by using \nthe concept of power relation by Pierre Bourdieu. The film provides the social hierarchy of the \ncharacters based on the capitals that apply in the prison as social arena. \nBourdieu’s concept also shows the power exchange between them. This interaction \ndepends on the amounts of the capitals that each characters have. The result explains the power system between \nthe characters and the social arena regarding the capital accumulation hold in \nprison. The social capitals lead to the position shifts in this arena. The text \nportrays the characters’ efforts to obtain the capitals that are necessaries in \nthe power exchange.","PeriodicalId":270635,"journal":{"name":"Digital Press Social Sciences and Humanities","volume":"6 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"L’échange de pouvoir : un reflet de la vie carcérale dans le film Un prophète de Jacques Audiard\",\"authors\":\"Damar Jinanto\",\"doi\":\"10.29037/digitalpress.43285\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Considering that film is a form \\nof social practice, it mostly brings social topic to be discussed. In this \\ncontext, a film is a tool to talk about the problems within the society. Topic \\nabout power relation in certain social arena is present in Un prophète (The \\nProphet), directed by Jacques Audiard. This film tells a story about Malik \\nEl-Diebena living behind the bars for six years. In the prison, El-Diebena, who \\nis the part of Arabian community, has had conflict with César Luciani, the \\nleader of Corsican community. He had to find a strategy to fight against César. \\nThis article talks about power relation among the characters to fight against \\nsocial structure based on the narrative and cinematographic aspects by using \\nthe concept of power relation by Pierre Bourdieu. The film provides the social hierarchy of the \\ncharacters based on the capitals that apply in the prison as social arena. \\nBourdieu’s concept also shows the power exchange between them. This interaction \\ndepends on the amounts of the capitals that each characters have. The result explains the power system between \\nthe characters and the social arena regarding the capital accumulation hold in \\nprison. The social capitals lead to the position shifts in this arena. The text \\nportrays the characters’ efforts to obtain the capitals that are necessaries in \\nthe power exchange.\",\"PeriodicalId\":270635,\"journal\":{\"name\":\"Digital Press Social Sciences and Humanities\",\"volume\":\"6 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2019-10-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Digital Press Social Sciences and Humanities\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.29037/digitalpress.43285\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Digital Press Social Sciences and Humanities","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.29037/digitalpress.43285","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
考虑到电影是一种社会实践的形式,它主要带来社会话题的讨论。在这种背景下,电影是一种谈论社会问题的工具。雅克·欧迪亚导演的《预言家》(Un proprotte, The Prophet)中就存在着一定社会舞台上的权力关系问题。这部电影讲述了Malik El-Diebena在监狱里生活了六年的故事。在监狱里,El-Diebena是阿拉伯社区的一部分,与科西嘉社区的领导人cassiar Luciani发生了冲突。他必须找到一个对抗csamar的策略。本文运用皮埃尔·布迪厄的权力关系概念,从叙事和电影两个方面来探讨角色之间对抗社会结构的权力关系。影片以监狱作为社会舞台的资本为基础,提供了人物的社会等级。布迪厄的概念也显示了他们之间的权力交换。这种交互取决于每个字符的大写字母的数量。结果解释了监狱中资本积累的人物与社会舞台之间的权力体系。社会资本导致了这一领域的地位变化。文章描绘了人物为获得权力交换所必需的资本而付出的努力。
L’échange de pouvoir : un reflet de la vie carcérale dans le film Un prophète de Jacques Audiard
Considering that film is a form
of social practice, it mostly brings social topic to be discussed. In this
context, a film is a tool to talk about the problems within the society. Topic
about power relation in certain social arena is present in Un prophète (The
Prophet), directed by Jacques Audiard. This film tells a story about Malik
El-Diebena living behind the bars for six years. In the prison, El-Diebena, who
is the part of Arabian community, has had conflict with César Luciani, the
leader of Corsican community. He had to find a strategy to fight against César.
This article talks about power relation among the characters to fight against
social structure based on the narrative and cinematographic aspects by using
the concept of power relation by Pierre Bourdieu. The film provides the social hierarchy of the
characters based on the capitals that apply in the prison as social arena.
Bourdieu’s concept also shows the power exchange between them. This interaction
depends on the amounts of the capitals that each characters have. The result explains the power system between
the characters and the social arena regarding the capital accumulation hold in
prison. The social capitals lead to the position shifts in this arena. The text
portrays the characters’ efforts to obtain the capitals that are necessaries in
the power exchange.