女性的主张是男性统治的解毒剂:阿契贝小说中的母亲原型——支离破碎,不再安逸,和人民的男人

Jeremiah Mutuku Muneeni
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摘要

关于奇努阿·阿契贝在其创作作品中对女性的(错误)表现,尤其是他的前四部小说,一直存在着激烈的争论。一些学者认为,阿契贝是一位男权作家,他把女性贬到了边缘。尽管如此,还是有一些人在他的作品中读到了性别平衡的细微差别。本文是这一争论的延续。具体来说,它认为阿切比在他的小说中创造了母亲原型,如果不承认这一点,他将继续被妖魔化为性别不敏感的作家。分析单元是阿契贝五部小说中的三部,分别是:《分崩离析》、《不再安逸》和《人民的人》。本文在原型批评的框架下对上述小说进行考察,旨在挖掘和审视其内在的母亲原型。这篇论文将宗教、教育和正义视为生活领域,在这些领域中,阿奇贝创造、授权和提升了母亲原型,使其与男性原型处于同等地位。然而,由于主题的广度,本文主要讨论教育问题。本文的结论是,阿契贝小说中被赋予权力的母亲原型的创造是一种象征性的传递,女性角色在下一部小说中将象征性的权力接力棒交给下一个女性,直到最后一部小说中,女性主要角色比阿特丽斯的创造赢得了与男性统治的竞争。
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Female Assertion as an Antidote to Male Dominance: Mother Archetypes in Achebe’s Novels—Things Fall Apart, No Longer at Ease, and A Man of the People
There has been an intense debate with regards to Chinua Achebe’s (mis)representation of women in his creative works, especially his first four novels. Some scholars have argued that Achebe is a patriarchal writer who has relegated women to the periphery. Nevertheless, a few have read subtle nuances of gender balance in his works. This paper is a continuation of this debate. Specifically, it argues that Achebe has created Mother Archetypes in his novels and if the same is not recognized, he will continue to be demonized as a gender insensitive writer. The unit of analysis is three of the five Achebe’s novels namely: Things Fall Apart, No Longer at Ease, and A Man of the People. The paper interrogates the aforementioned novels within the framework of archetypal criticism, with the aim of unearthing and examining Mother Archetypes inherent in them. The paper identifies religion, education, and justice as the spheres of life in which Achebe has created, empowered and elevated Mother Archetypes to be at par with their male counterparts. However, owing to the breadth of the subject, the paper dwells on education. The paper concludes that creation of empowered Mother Archetypes in Achebe’s novels is a symbolic relay in which women characters hand in the symbolic empowerment baton to the next woman in the next novel until the last one where the creation of a woman major character, Beatrice, wins the race against male dominance.
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