作为悲剧的群体暴力:话语传播分析

Juliane Prade-Weiss, Dominik Markl, V. Petrović
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引用次数: 1

摘要

大规模暴力——旨在消灭一大群人的杀戮和其他形式的暴力——通常被称为悲剧。这种比喻可以在受害证词、犯罪辩护、新闻、政治和学术语言以及流行用语中找到。本文考察了悲剧旅行修辞的不同用法,特别强调了它在形成辩护话语中的作用。关键的问题是,悲剧的比喻并不局限于诸如司法合法化、道德辩护、政治宣传等直接的辩护,而是渗透到谴责和批评中。这种分析的理由是,在文化经典的关键领域谈判的大规模暴力行为的理由赋予了从批判的角度来看大多被认为是毫无意义或从经济和社会政治角度理解的行为一种文化上具体的、往往是识别性的意义。然而,大规模暴力行为不再是单一的、过分的事件,而是通过塑造随后评估的语言和启发式框架而产生持久的影响,这在很大程度上是由于正当性的话语。当谴责和批评采用这些术语和框架时——比如“种族清洗”一词背后的纯洁性概念,或者为种族灭绝概念提供信息的民族政治范式——这会影响一种令人不安的模仿参与,传播大规模暴力的理由。悲剧的比喻可以通过将观众的注意力作为话语中不可或缺的元素来解决模仿参与的问题。
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Mass Violence as Tragedy: Analyzing the Transmission of Discourses
Mass violence—killings and other forms of violence that aim at exterminating large groups of people—is often called a tragedy. The trope can be found in testimonies of victimization, justifications of perpetration, journalistic, political, and academic language as well as in popular parlance. The article examines the divergent usages of the travelling trope of tragedy with particular emphasis on its role in forming justificatory discourse. The issue at stake is that the trope of tragedy does not remain confined to outright justifications such as juridical legitimization, moral vindication, political propaganda etc., but permeates condemnation and critique as well. The rationale of the analysis is that justifications of acts of mass violence that are negotiated in key areas of the cultural canon give a culturally specific, often identificatory, meaning to acts that are, from a critical perspective, mostly either considered senseless or comprehended in economic and sociopolitical terms. Yet it is largely owing to justificatory discourses that acts of mass violence do not remain single, exorbitant events, but have a lasting impact by shaping the linguistic and heuristic framework of their subsequent evaluation. When condemnation and critique adopt these terminologies and frameworks—such as the notion of purity underlying the term ‘ethnic cleansing’, or the ethnopolitical paradigm informing the concept of genocide—this effects an uneasy mimetic participation in transmitting justifications of mass violence. The trope of tragedy makes it possible to address the issue of mimetic participation by drawing attention to the audience as an indispensable element of the discourse.
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