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摘要

当我们在音乐中即兴创作并越来越专注于这一活动时,我们本能地参与到当下各种审美可能性的有趣谈判中。我们所处的状态是,随机冲动和非理性、无意的行为成为我们通过知识和经验所学到的一切的关键前提提供者。本文对音乐即兴创作中当下的反应性进行了思考。我们问:当下的体验提供了什么?它是否有任何道德和责任,如果有,是什么样的,适用于谁?在我们的阐述中,我们受到我们自己的经验的影响,以及对作曲和音乐治疗实践的反思。我们参考了音乐即兴和早期互动的理论,也参考了哲学文本,尤其是巴赫金的。我们认为,在音乐即兴创作中,当下的反应是一种心态,它在道德和美学上都对我们提出了挑战。它通过寻求创造性的满足、快乐和洞察力来实现,通过接近直觉、模仿和想象的感官知觉来形成。它的意义尚未确定,对我们来说很陌生。它也是有风险的,它位于音乐和表演者之间,表演者和其他表演者之间,以及我们行为的过去和未来之间的边界上。理想的情况是,我们要努力争取一个既能体验到当下,又能适应我们即兴发挥时试图找到空间的反应的当下。
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Nuets responsivitet – når det fremmede og det uperfekte setter premissen! Et filosofisk essay om musikalsk improvisasjon
As we improvise in music and become increasingly engrossed in the activity, we are intuitively engaged in a playful negotiation of various aesthetic possibilities in the Now. We are in a state where random impulses and irrational, unintentional actions become key premise providers along with everything we have learned through knowledge and experience. This essay reflects on the responsiveness of the Now in musical improvisation. We ask: What does the experience of the Now offer? Does it come with any kind of ethics and accountability and, if so, what kind and to whom does it apply? In our elaborations we are influenced by our own experiences of, and reflections on, compositional and music therapeutic practice. We refer to the theory of musical improvisation and early interaction, and also philosophical texts, especially those by Mikhail Bakhtin. We suggest that the responsiveness of the Now in musical improvisation is a mindset that challenges us both ethically and aesthetically. It does so by seeking creative satisfaction, joy and insight, taking shape through sensory perception that is close to intuition, mimesis and imagination. Its meaning remains unfinalised and foreign to us. It is also risky and is situated on the boundary between music and performer, between performer and other performers, and between the past and future of our actions. The ideal is to strive for a Now that can be experienced as the right now but also as a Now that suits the responses we try to find room for when we improvise.
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Kunstverkets nødvendighet Innledning Musikkfilosofiske tankekonstellasjoner om musikalsk mottakelighet og språk Om den psykologiske realiteten av langstrakt musikalsk form: Et musikkfilosofisk forsøk Den glatte musikken og muligheten for en erfaring
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