科学与诗歌中的“比例与一致性”:古拉克语言学著作的和谐。

О. О. Скоробогатова
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摘要

以古拉克的《盛开的玫瑰》一文为例,分析了科学家的科学风格。作者提出了本文的主要思想,包括对列夫·托尔斯泰早期小说中青年战士形象的语义关系的复杂分析:对叙事主体和描写世界的态度,对读者的态度,被传统推崇并以托尔斯泰的独特风格呈现的作者形象,文本组织的艺术技巧和风格手段。它描述了文章的主要目标如何与作者解决它们的方法相关联。本文指出,古拉克在这部作品中首次(不使用术语)描述了列夫·托尔斯泰散文作品中出现的不变形象之一。学者的功绩还在于详细分析了这一不变量的变体,并确定了作家艺术方法的动态。考察了古拉克教授对语言学研究者科学风格的文体要求及其在其语言学著作中的实现。考察了“整合”一词的内在形式,界定了“整合”一词在普希金对语言和风格的“比例与整合”要求以及在哈尔科夫语言学学派代表人物A. T. Gulak的语言学方法中的不同含义和接受。
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«PROPORTIONALITY AND CONFORMITY» IN SCIENCE AND POETRY: THE HARMONY OF A. T. GULAK’S PHILOLOGICAL WORK.
The scientific style of the scientist is analyzed on the example of the article “The Blossoming Rose” by Anatoly Tikhonovich Gulak. The author presents the main ideas of the article, including the complex analysis of semantic relations in Leo Tolstoy’s early stories, devoted to the image of the young warrior: the attitude to the subject of the narrative and the depicted world, the attitude to the reader, the image of the author, canonized by tradition and presented in Tolstoy’s idiostyle, the artistic techniques and stylistic means of text organization. It is described how the main objectives of the article correlate with the author’s methods of solving them. It is pointed out that in this work A. T. Gulak for the first time (without using the term) described one of the invariant images presented in the prose work of Leo Tolstoy. The scholar’s merit also lies in the detailed analysis of variants of this invariant and the identification of the dynamics of the writer’s artistic method. The stylistic requirements of Professor Gulak for the scientific style of the researcher-philologist and their realization in his own philological works are considered. The inner form of the word “conformity” is considered, its different meanings and reception in Pushkin’s requirement “proportionality and conformity” in language and style, and in the linguistic approach of the representative of Kharkov Philological School, A. T. Gulak, are defined.
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