基思·里德(1945-2022)

M. Hanrahan
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引用次数: 0

摘要

Keith Reader于2022年7月去世,这对英国的法语研究来说是一个悲伤的损失。基思是一位非常富有和富有洞察力的学者,他在令人惊讶的不同学科领域为这一学科做出了大量贡献。他非常博学;更重要的是,他是一个真正意义上的知识分子,尽管他很快就会反对把这个词用在自己身上。基思本人就具有敏锐的探索头脑;此外,他强烈地相信知识探索本身的价值和它所能作出的更广泛的社会贡献的重要性。基思出生于滕布里奇韦尔斯,在克劳利长大,1964年前往剑桥大学攻读法语学士学位。然而,在学术殿堂之外的一段经历才是他人生中真正的分水岭。等待他进入大学的教学大纲完全致力于语言和文学,与当时大多数现代语言课程一致;虽然他觉得电影有点狭窄和沉闷,但与其说是内容,不如说是教学方式,但在剑桥当时存在的三家独立电影院发现了电影,这证明了他一生中一种激情的开始。早期的那种渴望驱使他用与他所选择的学科明显相关的领域来补充他的研究,尽管这些学科之间的联系几乎没有得到机构的认可(更不用说合法化了),但在他作为学生的下一段经历中,他发现了类似的东西,当时他在牛津大学注册的普通文学和比较文学研究生课程中,热情地接受了任何很少的(主要是英语的)理论。这种热情预示了他的决心,他在卡昂和巴黎做讲师的那几年里,他参与了法国各种各样的理论,成为第一批探索巴特、拉康、福柯、德里达和阿尔都塞所居住的世界的英国学者之一,在基思的École normale supsamrieure中,后者仍然是一个非常明显的存在。凯斯带着这种热情回到了英国,尽管直到他完成了博士学位,他才在金斯顿大学获得了他的第一个学术讲师职位,很快成为他的第一个教授职位。他后来对金斯顿表示感谢,不仅是因为他的第一个长期职位有保障,而且最重要的是机构灵活性,使他能够将他的非主流兴趣纳入他的教学。在他随后被任命为纽卡斯尔大学(1995年)和格拉斯哥大学(2000年)的主席期间,他一直致力于将迄今为止局限于该学科边缘的领域整合到他的研究和教学中。事实上,这
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Keith Reader (1945–2022)
The death of Keith Reader in July 2022 is a sad loss for French studies in the UK. Keith was a wonderfully rich and insightful scholar who contributed prolifically to the discipline across an astonishingly diverse range of subjects. He was exceptionally erudite; even more importantly, he was an intellectual in every sense of the word, although he would have been quick to deprecate the application of the term to himself. Keith was himself possessed of an acutely probing mind; moreover, he was keenly convinced both of the value of intellectual enquiry in itself and the importance of the broader social contribution it can make. Born in Tunbridge Wells, Keith grew up in Crawley before going to Cambridge in 1964 to study for a BA in French. However, it was an experience there outside the halls of academia that proved a real watershed in his life. The syllabus that awaited him at university was wholly devoted to language and literature, in line with most modern languages programmes at the time; while he found it somewhat narrow and dreary, albeit less for its content than for how it was taught, the discovery of film in the three independent cinemas then existing in Cambridge was to prove the beginning of a passion that would last throughout his life. That early hunger that drove him to supplement his studies with a field manifestly of relevance to his chosen academic discipline, although with little institutional recognition (let alone legitimation) of the connections between them, found a parallel in his next experience as a student, when he enthusiastically embraced whatever little—mainly anglophone—theory was on offer in the context of the graduate course in General and Comparative Literature in which he enrolled at Oxford. That enthusiasm heralded the determination with which he used the years he spent as a lecteur in Caen and then in Paris to engage with the French variety of theory, becoming one of the very first UK scholars to explore the world peopled by Barthes, Lacan, Foucault, Derrida, and Althusser, this last still a very visible presence in the École normale supérieure during Keith’s period there. Keith returned to the UK armed with this enthusiasm, although it was not until he completed his PhD that he obtained his first academic lectureship, at Kingston, soon to become his first professorship. The gratitude he subsequently expressed towards Kingston was due not only to the security of his first permanent post but above all to the institutional flexibility that allowed him to integrate his non-mainstream interests into his teaching. In his subsequent appointments to Chairs at Newcastle University (in 1995) and then the University of Glasgow (in 2000), he maintained his commitment to integrating areas hitherto confined to the margins of the discipline into both his research and teaching. Indeed, that
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Gawkers: Art and Audience in Late Nineteenth-Century France by Bridget Alsdorf (review) Keith Reader (1945–2022) Literature for all: On Designation and Interpretation in Hugo’s Notre-Dame de Paris Maps to the Other: The carte galante Tradition and Émile Zola’s ‘dossiers préparatoires’ Travel, Translation and Transmedia Aesthetics: Franco-Chinese Literature and Visual Arts in a Global Age by Shuangyi Li (review)
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