对军事历史博物馆收藏的炮兵、工兵和通信兵突击旗的调查

Anzhelika V. Uvarova
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引用次数: 0

摘要

本文对炮兵工兵通信兵军事历史博物馆收藏的突击旗进行了研究。他们被安置在苏军解放的城市。在文章的开头,读者被告知基本概念的含义。знамя和флаг在涡旋学上没有差异。因此,考虑了俄罗斯研究人员的几种定义。然后在文章中说,这组是国旗,因为它象征着整个国家-苏联。作者强调,在解放后的城市上空悬挂突击旗的传统出现在1942-1943年的激进转变时期,与此同时,旗帜开始被转移到博物馆储存。在炮兵历史博物馆,他们从1943年开始到达。此外,他们的外表也没有受到监管。因此,本文提出了相似与不同特征的问题。在符号学层面上,所有的旗帜都带有一个代码,象征着苏联和友好国家对德国侵略者的解放和胜利。在物质层面上,由于对外观缺乏明确的规定,每一面国旗都有自己的特点:大小、形状、是否有图像和铭文、与旗杆的连接方式、外观的背景。最后,评估了在展览项目中反映卫国战争主题和人民记忆的潜力。
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Investigation of assault flags from the collection of the Military-Historical Museum of Artillery, Engineer and Signal Corps
In the article author conducts research of the assault flags from the collection of Military Historical Museum of Artillery, Engineer and Signal Corps. They were planted on the liberated by the Soviet Army cities. At the beginning of the article the reader is informed about the meaning of the basic concepts. There aren’t differences between знамя and флаг in vexillology. Therefore, several definitions of Russian researchers were considered. Then in the article are stated that this group are flags, as it symbolizes the whole state — the Soviet Union. The author emphasizes that the tradition of planting assault flags over liberated cities appeared during the radical turn of 1942–1943, and at the same time flags began to be transferred to museums for storage. In the Artillery Historical Museum they began to arrive from 1943. In addition, their appearance wasn’t regulated. Therefore, in the article the problem of similar and different characteristics is raised. At the semiotic level, all flags carry a single code, being a symbol of liberation, victory of the Soviet Union and friendly countries over the German invaders. At the material level, due to the lack of clear regulation of the appearance, each flag has its own individual features: size, shape, presence or absence of images and inscriptions, methods of attachment to the flagpole, the context of their appearance. In conclusion the potential for reflecting the theme of the Great Patriotic War and the memory of the people in exposition and exhibition projects is evaluated.
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