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摘要

Inger Ellekilde Bonde:在已知和未知的路径之间——在摄影师Keld Helmer-Petersen的档案中研究的实践观点这篇文章反映了一些研究观点包含在一个摄影师的档案中。基于对摄影师Keld Helmer- Petersen档案的研究,文章的第一部分展示了档案中材料阅读的例子,作为摄影师在接收历史中分配的位置的潜在扩展。在这里,档案被理解为更广泛地理解摄影师的艺术表现形式的来源,通过对工作过程和艺术环境和运动的洞察,Helmer-Petersen的档案显示他参与了这些活动。文章的第二部分是一个更批判性的思考,通过讨论Helmer-Petersen作为档案保管人的角色,以及档案如何反映一个存档过程,这个过程对研究者遇到和考虑的档案的结构和组织具有重要意义。
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Mellem udtrådte og ubetrådte stier – et praksisperspektiv på forskning i Keld Helmer-Petersens arkiv
Inger Ellekilde Bonde: In-between Known and Unknown Paths – Practical Perspectives on Research in the Archive of Photographer Keld Helmer-Petersen The article reflects on some of the research perspectives contained in the archive of a single photographer. Based on studies of the archive of the photographer Keld Helmer- Petersen, the first part of the article presents examples of readings of material in the archive as a potential expansion of the position assigned to the photographer in the reception history. Here, the archive is understood as a source of a broader understanding of the photographer’s artistic form of expression through insights into both work processes and the artistic environments and movements in which Helmer-Petersen’s archive shows that he participated. The second part of the article is a more critical consideration of how the archive can be understood as a research object by discussing Helmer-Petersen’s role as an archivist, and how the archive also reflects an archiving process that is significant to the structure and organisation of the archive encountered and considered by the researcher.
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