{"title":"2019冠状病毒病后尼日利亚社交媒体上的戏剧:Segun Adefila的《Corona Palava》作为虚拟表演","authors":"Tekena Gasper Mark, Philip Smith","doi":"10.1080/13569783.2021.1997582","DOIUrl":null,"url":null,"abstract":"ABSTRACT Nigerian theatre directors have turned to social media to reach their audience in the Covid-19 era. This study examines the production of Corona Palava by Segun Adefila and adopts Hess-Lüttich's [Hess-Lüttich, E. W. B. 1999. “Kohtiholististentekstiennarratologiaa. Hypertekstintekstuaalinenteoria.” In Mediatieteenkysymyksiä 3. Kirjoituksiamediakulttuurista, edited by S. Inkinen, and M. Ylä-Kotola, 679–718. Rovaniemi: Lapin yliopisto] theory of ‘Intermediality’ as its theoretical framework. Facebook proved to be a more engaging site for the streaming of the production of Corona Palava than YouTube. This intermedial method allows theatre to fulfil its educational objectives and has the potential to reinvigorate Nigerian interest in theatre.","PeriodicalId":186209,"journal":{"name":"Research in Drama Education: The Journal of Applied Theatre and Performance","volume":"20 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Theatre on social media in post covid-19 Nigeria: Segun Adefila’s Corona Palava as a virtual performance\",\"authors\":\"Tekena Gasper Mark, Philip Smith\",\"doi\":\"10.1080/13569783.2021.1997582\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT Nigerian theatre directors have turned to social media to reach their audience in the Covid-19 era. This study examines the production of Corona Palava by Segun Adefila and adopts Hess-Lüttich's [Hess-Lüttich, E. W. B. 1999. “Kohtiholististentekstiennarratologiaa. Hypertekstintekstuaalinenteoria.” In Mediatieteenkysymyksiä 3. Kirjoituksiamediakulttuurista, edited by S. Inkinen, and M. Ylä-Kotola, 679–718. Rovaniemi: Lapin yliopisto] theory of ‘Intermediality’ as its theoretical framework. Facebook proved to be a more engaging site for the streaming of the production of Corona Palava than YouTube. This intermedial method allows theatre to fulfil its educational objectives and has the potential to reinvigorate Nigerian interest in theatre.\",\"PeriodicalId\":186209,\"journal\":{\"name\":\"Research in Drama Education: The Journal of Applied Theatre and Performance\",\"volume\":\"20 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-11-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Research in Drama Education: The Journal of Applied Theatre and Performance\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/13569783.2021.1997582\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Research in Drama Education: The Journal of Applied Theatre and Performance","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/13569783.2021.1997582","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 1
摘要
在Covid-19时代，尼日利亚戏剧导演转向社交媒体来吸引观众。本研究考察了Segun Adefila生产的Corona Palava，并采用hess - l ttich的[hess - l ttich, E. W. B. 1999]。“Kohtiholististentekstiennarratologiaa。Hypertekstintekstuaalinenteoria。”在Mediatieteenkysymyksiä 3。Kirjoituksiamediakulttuurista, S. Inkinen和M. Ylä-Kotola编辑，679-718。罗瓦涅米:“中间性”理论作为其理论框架。事实证明，Facebook比YouTube更适合播放《Corona Palava》的制作过程。这种中间方法使戏剧能够实现其教育目标，并有可能重新激发尼日利亚人对戏剧的兴趣。
Theatre on social media in post covid-19 Nigeria: Segun Adefila’s Corona Palava as a virtual performance
ABSTRACT Nigerian theatre directors have turned to social media to reach their audience in the Covid-19 era. This study examines the production of Corona Palava by Segun Adefila and adopts Hess-Lüttich's [Hess-Lüttich, E. W. B. 1999. “Kohtiholististentekstiennarratologiaa. Hypertekstintekstuaalinenteoria.” In Mediatieteenkysymyksiä 3. Kirjoituksiamediakulttuurista, edited by S. Inkinen, and M. Ylä-Kotola, 679–718. Rovaniemi: Lapin yliopisto] theory of ‘Intermediality’ as its theoretical framework. Facebook proved to be a more engaging site for the streaming of the production of Corona Palava than YouTube. This intermedial method allows theatre to fulfil its educational objectives and has the potential to reinvigorate Nigerian interest in theatre.
京公网安备 11010802042870号
京ICP备2023020795号-1
分享
求助内容：
应助结果提醒方式：
扫码关注我们
