新设计师的新技能:时装和纺织品

G. Montagna, M. Delgado, Isabel Duarte De Almeida, L. Santos
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引用次数: 0

摘要

这项工作反映了未来设计师的意义,以及他们在整个产品创造周期中对团队的影响力和协作的更大需求。时尚和纺织品设计领域的设计和商业创新文化的更新是建立在与不同现实的桥梁的基础上的,这些现实日益动态地改变了不同产品的景观及其创作过程,模糊了每个干预领域及其参与者的界限和限制。从小型工业到大型工业,我们发现了新的需求和职业,这些需求和职业从过去延伸到未来,例如在工业5.0新材料和技术的支持下,新的工艺产品重视每个地理位置的身份,艺术和文化遗产。在这种综合工作的新动力下,每个人都为提高每个参与者的知识水平做出贡献,使知识得以更新,创新得以发展,社会、文化和经济包容得以实现。这种新动力需要得到更大的支持,并将学术界与实地的创造性和生产性现实联系起来。目前的研究小组通过解释未来几十年工作创新的路径,旨在通过确定未来培训时装设计师所需的知识和技能的研究,为工业和国家或国际设计创新的文化作出贡献。采用定性和定量方法应能收集数据,以表明未来设计师的需求趋势和使学院适应这些新的现实的需要。通过这项研究,我们打算在创造和创新过程中的不同参与者之间建立一个关系网络,并促进不同形式的创造和生产之间的更大联系,从而满足最终消费者及其对时尚和纺织品的需求。
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New skills for new designers: Fashion and Textiles
This work arises as a reflection on what it means to be a designer of the future and their greater need for influence and collaboration with the team throughout the product creation cycle. The renewal of a culture of design and business innovation in the area of fashion and textile design is based on the establishment of bridges with different realities that, increasingly dynamic, change the landscape of different products and their creation processes, blurring the boundaries and limits of each area of intervention and its actors. From the small to the big industry we find new needs and professions that project themselves into the future reaching from the past, as in the case of new craft productions that value the identity, artistic and cultural heritage of each geography, supported by new materials and technologies of Industry 5.0. This new dynamic of integrated work, where everyone contributes to enhance the knowledge of each participant, enabling the renewal of knowledge and the development of innovation and social, cultural, and economic inclusion, needs greater support and connection between academia and the creative and productive reality on the ground. The present research group, sustained by the interpretation of the paths of work innovation in the coming decades, intended to provide a contribution to the industry and the culture of national or international design innovation, through research based on the identification of the knowledge and skills necessary for the future training of fashion designers.The adoption of a qualitative and quantitative methodology should allow the collection of data that can indicate trends of needs of future designers and the need to adapt the academy to these new realities. With this study we intend to establish a network of relationships between the different actors in the process of creation and innovation, as well as promote a greater connection between the different forms of creation and production that allow to satisfy the final consumer and their needs around fashion and textiles.
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