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摘要

Teiji Sakata比较了bārahmāsā或“十二个月”形式的各种诗歌,展示了它们如何在现代通常被认为是相当独立的语言之间形成一块共享的文学遗产。坂田调查了几首根据这种“十二个月”形式的风格惯例创作的诗歌,表明每首诗都有独特的叙事、宗教和表演背景,这些背景决定了它的接受和形成了它的意义。Jayasi的Padmāvat中包含的bārahmāsā戏剧化了一个更长的叙述中涉及的人物的情感状态。米拉拜的bārahmāsā表达了对奎师那神的渴望。阿瓦迪语和邦德利语中bārahmāsā的“民间”版本表达了更多世俗的担忧,比如对远方爱人的渴望或对放债人的恐惧。
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Hindi Bārahmāsā Tradition
Teiji Sakata compares various poems of the bārahmāsā or ‘twelve-month’ form, showing how they form a piece of shared literary heritage between languages that in the modern period have usually been considered to be quite separate. Sakata surveys several poems composed according to the stylistic conventions of this ‘twelve-month’ form, showing that each one has a distinct narrative, religious, and performative context that informed its reception and shaped its meaning. The bārahmāsā contained within Jayasi’s Padmāvat dramatizes the emotional states of characters implicated in a longer narrative. The bārahmāsā attributed to Mirabai expresses longing for the Divine in the form of Krishna. ‘Folk’ versions of the bārahmāsā in Avadhi and Bundeli express more worldly concerns like longing for a distant beloved or the fear of moneylenders.
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