重申涂鸦艺术中的信息

Sorin Constantin Semenov
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引用次数: 0

摘要

“涂鸦”一词来自拉丁语,是动词graffiare(涂鸦)的复数形式,它让人想起罗马或希腊的“破坏者”在建筑物的墙上记录他们的政治信仰、爱情宣言甚至是简单的抗议活动的方式。这种做法在其他文明中当然是常见的,或多或少都有相同的目标。用彩色喷墨印刷文本并在当代语境中重复,获得了一种独立的力量。随意字母的联想,似乎是偶然的,隐含着它们的强迫性重复,具有指数级的视觉影响,但同时它们对公共空间的总体整体做出了决定性的贡献。涂鸦艺术不需要公民社会或当局的许可,它与意识形态或信仰无关,而是在公众意识中灌输了一套性格,随着时间的推移,这些性格成为了公众意识的一部分。
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Reiterating the Message in Graffiti Art
The term Graffiti comes from the Latin being the plural of the verb graffiare (to scratch), it reminds of the way in which the Roman or Greek "vandals" recorded their political beliefs, love statements or even simple protests, on the walls of buildings. This practice is of course common in other civilizations, with more or less the same goal. Printing a text using colored spays and repeating it in a contemporary context, acquires an independent force. The association of casual letters, that seem to be accidental and implicitly their obsessive repetition have an exponential visual impact, but at the same time they contribute decisively to the general ensemble of the public space. Graffiti Art does not require the permission of civil society or the authorities, it is not associated with an ideology or belief but impregnates in the public consciousness a suite of characters that over time become part of it.
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