尼日利亚绘画中的艺术形式与民族认同

J. A. Abodunrin
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摘要

本文讨论了尼日利亚艺术学校绘画的艺术形式和民族身份。尼日利亚的艺术家们用不同的形式来表现他们民族特有的形象,以达到独特的身份。这项研究的数据是从尼日利亚不同地区艺术学校中发现的不同民族的绘画中获得的。艺术学校一直是尼日利亚土著形式表现的中心。学校以个人主义的形式描绘而闻名,其特点是形式延伸,抽象,半现实主义与北方建筑。在该国的南部和东部,他们的绘画用自然主义和象征性的表现形式描绘日常活动。每个地区都使用土著形式来描绘民族身份,这必然产生了在实践中具有地域性的艺术和艺术家。本文的结论是,艺术学校一直是尼日利亚画家表现本土形式和艺术身份的中心。
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Artistic forms and ethnic identity in Nigerian painting
This paper discusses the artistic forms and ethnic identity of paintings in Nigerian art schools. Artists in Nigeria used diverse forms to represents images that are peculiar to their ethnic groups to achieve a distinctive identity. Data for the study were obtained from paintings of different ethnic groups found in the various regions of the Art schools in Nigeria. The art schools have been the centre for manifestation of indigenous forms in Nigeria. The Schools has been noted with individualism in form depiction that is characterized by elongation of forms, abstraction, semi-realistic with northern architecture. In the South and Eastern part of the country their paintings depict day to day activities using naturalism and symbolic representation of forms. Each region uses indigenous forms to portray ethnic identity and this invariably produced arts and artists that are regional in their practice. The paper concludes that art schools have been the centre for manifestation of indigenous forms and artistic identity among Nigerian Painters.
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