《花斋:日本著名文学女性的作品》

Zea Books Pub Date : 2022-12-01 DOI:10.32873/unl.dc.zea.1337
Fujiu, 藤生 Tei, てい子
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摘要

《花斋》(字面意思是“花环”)最初于1903年在东京出版,以活动家和作家岸田敏子(中岛男爵夫人)的传记小品为特色,加上明治时代日本女作家的四篇短篇小说:Kaho的《Akebonozome:染成彩虹色的布》MiyakeŌtsugomori; HiguchiOnisenbiki的《一年的最后一天》;《千魔》,作者:北田惠赛(Kajita夫人)Shinobine,作者:大冢草久Tei Fujiu编译和翻译,四个令人难忘和感人的故事描述了世纪之交,在新兴的商业社会中,女性经历了传统家庭角色的挫折。男人们似乎全神贯注于买卖选票、打对外战争、忽视家庭或外出游玩;他们完全有能力因为新娘的长相而拒绝她,或者只是让新妻子走开。与此同时,年轻的女性角色要应对整体上的寒酸、失去武士尊严、孤儿身份、奴役、贫穷、负债、嫉妒的姐妹、继母和婆婆,以及失明、丑陋、孤独和同情的综合挑战。
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Hanakatsura: The Works of Famous Literary Women in Japan
Originally published in Tokyo in 1903, Hanakatsura (literally “garland of flowers”) features a biographical sketch of the activist and author Kishida Toshiko (Baroness Nakajima) plus four short stories by Japanese women writers of the Meiji era: Akebonozome: A Cloth Dyed in Rainbow Colors, by Kaho Miyake Ōtsugomori: The Last Day of the Year, by Ichiyo Higuchi Onisenbiki: The Thousand Devils, by Usurai Kitada (Mrs. Kajita) Shinobine, by Otsuka Kusuo Compiled and translated by Tei Fujiu, four memorable and affecting stories depict women experiencing the frustrations of traditional family roles within an emergent commercial society at the turn of the century. The men seem preoccupied with buying and selling votes, fighting foreign wars, ignoring their families, or going out on the town; and they are fully capable of rejecting a bride for her looks or just letting a new wife walk away. Meanwhile, young female characters cope with overall shabbiness, lost samurai dignity, orphanhood, servitude, poverty, indebtedness, jealous sisters, stepmothers, and mothers-in-law, and the combined challenges of being blind, ugly, alone, and empathetic.
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