{"title":"扩张","authors":"H. Meconi","doi":"10.5622/illinois/9780252033155.003.0005","DOIUrl":null,"url":null,"abstract":"The expansion of Hildegard’s world and influence is the subject of this chapter. It describes the numerous preaching tours she undertook and her close relationship with Trier, with special attention given to her so-called hymn Mathias sanctus, written for the monastery of St. Eucharius. Also discussed are Hildegard’s connection to Holy Roman Emperor Frederick Barbarossa, her theological treatise Liber vite meritorum, her connection with the community at Eibingen, her Explanation of the Athanasian Creed, and the numerous exorcisms she performed. The vitae she wrote for St. Disibod and St. Rupert, and the music composed in their honor (especially the sequence O ierusalem, the antiphon O beata infantia, and the responsory O felix anima), are treated as well.","PeriodicalId":225966,"journal":{"name":"Hildegard of Bingen","volume":"1 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2018-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Expansion\",\"authors\":\"H. Meconi\",\"doi\":\"10.5622/illinois/9780252033155.003.0005\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The expansion of Hildegard’s world and influence is the subject of this chapter. It describes the numerous preaching tours she undertook and her close relationship with Trier, with special attention given to her so-called hymn Mathias sanctus, written for the monastery of St. Eucharius. Also discussed are Hildegard’s connection to Holy Roman Emperor Frederick Barbarossa, her theological treatise Liber vite meritorum, her connection with the community at Eibingen, her Explanation of the Athanasian Creed, and the numerous exorcisms she performed. The vitae she wrote for St. Disibod and St. Rupert, and the music composed in their honor (especially the sequence O ierusalem, the antiphon O beata infantia, and the responsory O felix anima), are treated as well.\",\"PeriodicalId\":225966,\"journal\":{\"name\":\"Hildegard of Bingen\",\"volume\":\"1 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2018-10-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Hildegard of Bingen\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5622/illinois/9780252033155.003.0005\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Hildegard of Bingen","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5622/illinois/9780252033155.003.0005","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
希尔德加德的世界和影响力的扩张是本章的主题。书中描述了她进行的无数次巡回布道,以及她与特里尔的密切关系,其中特别提到了她为圣尤查利乌修道院写的所谓赞美诗《圣马提亚》(Mathias sanctus)。还讨论了希尔德加德与神圣罗马帝国皇帝弗雷德里克·巴巴罗萨的联系,她的神学论文《美德之书》,她与艾宾根社区的联系,她对亚他那西亚信条的解释,以及她执行的众多驱魔。她为St. Disibod和St. Rupert写的个人简介,以及为纪念他们而创作的音乐(特别是耶路撒冷序列,对唱O beata infantia和回应O felix anima),也被处理。
The expansion of Hildegard’s world and influence is the subject of this chapter. It describes the numerous preaching tours she undertook and her close relationship with Trier, with special attention given to her so-called hymn Mathias sanctus, written for the monastery of St. Eucharius. Also discussed are Hildegard’s connection to Holy Roman Emperor Frederick Barbarossa, her theological treatise Liber vite meritorum, her connection with the community at Eibingen, her Explanation of the Athanasian Creed, and the numerous exorcisms she performed. The vitae she wrote for St. Disibod and St. Rupert, and the music composed in their honor (especially the sequence O ierusalem, the antiphon O beata infantia, and the responsory O felix anima), are treated as well.