{"title":"另一个世界的窥镜","authors":"Joseph Albernaz","doi":"10.1215/10418385-4383037","DOIUrl":null,"url":null,"abstract":"In September 2017 the Oakland gallery Pro Arts featured Past Presence, a joint exhibition of separately produced but thematically linked works by the artists Indira Allegra and Christopher R. Martin. What tied the two artists’ concerns together was precisely the question of the tie itself: the weave, the fold, the thread, and the tangle. As the description of the exhibition read, Past Presence was a “response to the politicized trauma in Black contemporary life through the medium of weaving,” whether in Allegra’s “digital weaving” of","PeriodicalId":232457,"journal":{"name":"Qui Parle: Critical Humanities and Social Sciences","volume":"1 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2018-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Speculum of the Other Cene\",\"authors\":\"Joseph Albernaz\",\"doi\":\"10.1215/10418385-4383037\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In September 2017 the Oakland gallery Pro Arts featured Past Presence, a joint exhibition of separately produced but thematically linked works by the artists Indira Allegra and Christopher R. Martin. What tied the two artists’ concerns together was precisely the question of the tie itself: the weave, the fold, the thread, and the tangle. As the description of the exhibition read, Past Presence was a “response to the politicized trauma in Black contemporary life through the medium of weaving,” whether in Allegra’s “digital weaving” of\",\"PeriodicalId\":232457,\"journal\":{\"name\":\"Qui Parle: Critical Humanities and Social Sciences\",\"volume\":\"1 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2018-06-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Qui Parle: Critical Humanities and Social Sciences\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1215/10418385-4383037\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Qui Parle: Critical Humanities and Social Sciences","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1215/10418385-4383037","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 1
摘要
2017年9月，奥克兰画廊Pro Arts推出了“过去的存在”，这是艺术家Indira Allegra和Christopher R. Martin分别制作但主题相关的作品的联合展览。将两位艺术家的关注点联系在一起的正是领带本身的问题:编织、折叠、线和缠结。正如展览的描述所述，“过去的存在”是“通过编织媒介对黑人当代生活中政治化创伤的回应”，无论是在阿利格拉的“数字编织”中
In September 2017 the Oakland gallery Pro Arts featured Past Presence, a joint exhibition of separately produced but thematically linked works by the artists Indira Allegra and Christopher R. Martin. What tied the two artists’ concerns together was precisely the question of the tie itself: the weave, the fold, the thread, and the tangle. As the description of the exhibition read, Past Presence was a “response to the politicized trauma in Black contemporary life through the medium of weaving,” whether in Allegra’s “digital weaving” of
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