从文学感知的角度看观众阅读残雪作品时的孤独体验

Nhung Nguyen Thi Hong
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摘要

残雪是中国当代文坛著名女作家,被誉为“亚洲卡夫卡”。她的作品受到全世界观众的喜爱,特别是在日本和许多西方国家。她的作品需要读者的耐心,在她打开的孤独的艺术世界中体验不同的情绪和感受。这个世界的中心是自我的深度和人的“人性”。而对后现代时代有不同看法和态度的读者,在进入那个艺术世界时,肯定会对人物的孤独、失落和脱节感同身受。孤独作为一种常态出现在人物的生活中,他们无法说出自己的情感来平衡自己的灵魂。因此,读者在现实世界中反思自己,重新平衡受伤的自我,目的是在不与作品中的坏、恶妥协的情况下,向美和善敞开自己的灵魂。在共情的过程之后,孤独的“自我”被净化和唤醒——自我的价值得以实现。孤独是人性不可避免的一部分。一个人应该满足于孤独,与自己“内心的孩子”做朋友,充实自己的自我价值,成为文明社会中的积极个体,在现代社会中过一种健康的成年人的生活方式。
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The loneliness experience of audiences when reading Can Xue's works from a perspective of literary perception
Can Xue is a famous female writer in Chinese contemporary literature, known as the "Kafka of Asia". Her works are loved by a worldwide audience, especially in Japan and many Western countries. Her work requires the reader's patience through experiencing different emotions and feelings in the lonely art world that she opens. It is a world whose center is the depth of self, and the “humanity” of man. And readers with different perceptions and attitudes of the post-modern era when entering that art world will certainly sympathize with the loneliness, loss, and disconnection of the characters. The loneliness appears as a constant in the lives of the characters while they cannot name their emotions to balance their own soul. Thereby, readers reflect on themselves in the real world, rebalance their bruised self, and aim to open up their soul towards Beauty and Goodness without compromising with the Bad, the Evil in the work. After the process of empathy, the lonely "self" is purified and awakened – the own worth is realized. Loneliness is an inevitable part of human nature. One should be content with the loneliness, be friends with one's "inner child", enrich one's self-worth to become a positive individual in the civilized community, to lead a healthy lifestyle of an adult in modern society.
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