诺曼之家,温迪·福斯特在汉普斯特德

C. Bravo
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摘要

1978年至1979年间,诺曼·福斯特和温迪·福斯特在伦敦汉普斯特德社区设计了他们自己的家。福斯特夫妇最私人的项目让我们——就像在许多其他案例中一样——可以追溯其创作者的参考、痴迷、梦想和挫折。该项目代表了将Reyner Banham所描述的“服务良好的棚屋”概念应用于家庭领域的独特尝试。基于使用系统集成作为主要项目策略的概念。18个月的紧张工作展示了这对建筑师夫妇的生产演变,从“服务良好的棚屋”的工业功能主义,到所谓的高科技运动的技术表现主义。在这个未建成项目失败背后的原因中,人们可以读到建筑与工程、预制与工艺、表现主义与功能主义之间的争论和冲突,这些都是20世纪70年代末的实践。一系列的事件将促成一种理解建筑与技术之间关系的新方式。
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La casa de Norman y Wendy Foster en Hampstead
Between 1978 and 1979 Norman and Wendy Foster design their own home in the London neighbourhood of Hampstead. The most personal project of the Fosters allows us —as in many other cases— to trace the references, obsessions, dreams and frustrations of its creators. This project represents a unique attempt to apply the “well-serviced shed” concept —as described by Reyner Banham— to the domestic realm. A concept based in the use of systems integration as the main project strategy. The 18 months of intense work show, through the various options developed, the evolution of the production of the couple of architects, from the industrial functionalism of the “well-serviced shed”, towards the technological expressionism of the so-called High-Tech movement. In the reasons behind the failure of this unbuilt project, one can read the debates and conflicts —between architecture and engineering, prefabrication and craftsmanship, expressionism and functionalism— in which the practice is immerse by the end of the 1970s. A series of events that will precipitate a new way of understanding the relationship between architecture and technology.
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