Fragmenting the body

In 2002, the extraordinarily wealthy inhumation burial of a single adult male was discovered less than 5 kilometres from Stonehenge in Wiltshire. The Amesbury Archer, as he soon came to be known, was buried sometime between 2380 and 2290 BC (Fitzpatrick 2011), and he was accompanied by an array of grave goods including three copper knives, a pair of gold ornaments, five Beaker pots, seventeen barbed and tanged arrowheads, two stone bracers, a shale belt ring, and a possible cushion stone for the working of metal objects. The appearance of single burials with grave goods at the beginning of the Chalcolithic has long been interpreted as indicating the emergence of an ideology of the individual (e.g. Renfrew 1974; Shennan 1982). The objects buried with the Archer have been viewed as a direct reflection of his wealth and status, and the discovery seems to support established views of Bronze Age society as increasingly hierarchical—dominated by individuals who drew political power from success in long-distance exchange, control over specialist technologies such as metalworking, and prowess in hunting and warfare (Needham 2000a; Needham et al. 2010; Sheridan 2012). It has frequently been recognized, however, that such evolutionist narratives in fact present a reductionist reading of the evidence (e.g. Petersen 1972; Petersen et al. 1975, 49; Brück 2004a; Gibson, A. 2004), and detailed evaluation of human remains from both mortuary contexts and elsewhere indicates considerable variability in the treatment and perception of the human body (Sofaer Derevenski 2002; Gibson, A. 2004; Brück 2006a; Fitzpatrick 2011, 201–2; Appleby 2013; Fowler 2013, ch. 4). We will return to consider the significance of grave goods in Chapter 3; here we will focus on the treatment of the body both in Bronze Age mortuary rites and in other forms of social and ritual practice. As we shall see, the bodies of the dead were manipulated in complex ways that indicate the existence of concepts of the self that differ profoundly from those familiar from our own cultural context.