{"title":"爱尔兰单身汉","authors":"E. Madden","doi":"10.3366/edinburgh/9781474456692.003.0017","DOIUrl":null,"url":null,"abstract":"An exploration of the figure of the sexually frustrated and socially isolated bachelor farmer that became popular beginning in the 1930s. The essay sees the bachelor as a figure of gender resistance. Instead of stereotyping him as an example of religious repression and family pathologies, it reframes him as the victim of state regulation and suppression.","PeriodicalId":371259,"journal":{"name":"The Edinburgh Companion to Irish Modernism","volume":"304 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2020-08-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Irish Bachelor\",\"authors\":\"E. Madden\",\"doi\":\"10.3366/edinburgh/9781474456692.003.0017\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"An exploration of the figure of the sexually frustrated and socially isolated bachelor farmer that became popular beginning in the 1930s. The essay sees the bachelor as a figure of gender resistance. Instead of stereotyping him as an example of religious repression and family pathologies, it reframes him as the victim of state regulation and suppression.\",\"PeriodicalId\":371259,\"journal\":{\"name\":\"The Edinburgh Companion to Irish Modernism\",\"volume\":\"304 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2020-08-31\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"The Edinburgh Companion to Irish Modernism\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3366/edinburgh/9781474456692.003.0017\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"The Edinburgh Companion to Irish Modernism","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3366/edinburgh/9781474456692.003.0017","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
An exploration of the figure of the sexually frustrated and socially isolated bachelor farmer that became popular beginning in the 1930s. The essay sees the bachelor as a figure of gender resistance. Instead of stereotyping him as an example of religious repression and family pathologies, it reframes him as the victim of state regulation and suppression.
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