{"title":"信仰音乐!","authors":"E. Korngold, Kevin C. Karnes","doi":"10.2307/j.ctvdjrp0h.18","DOIUrl":null,"url":null,"abstract":"This chapter contains Erich Korngold's last published statement on music. In it he made no mention of his own. Written in October 1955, less than half a year after what would turn out to be his final, dispirited return from Europe, “Faith in Music!” recapitulates a position he outlined in “Notes for an Interview.” However, he updates it for the postwar world, with its collective witness to what had recently been the unimaginable, technologized violence of the interceding years. Against the backdrop of his critical failures in Austria and West Germany, and recasting his apology for the untimeliness of all great works of music, he wrote: “The true creative artist does not wish to recreate for his fellow man the headlines screaming of atom bombs, murder, and sensationalism found in the daily paper.”","PeriodicalId":186845,"journal":{"name":"Korngold and His World","volume":"43 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-08-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Faith in Music!\",\"authors\":\"E. Korngold, Kevin C. Karnes\",\"doi\":\"10.2307/j.ctvdjrp0h.18\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This chapter contains Erich Korngold's last published statement on music. In it he made no mention of his own. Written in October 1955, less than half a year after what would turn out to be his final, dispirited return from Europe, “Faith in Music!” recapitulates a position he outlined in “Notes for an Interview.” However, he updates it for the postwar world, with its collective witness to what had recently been the unimaginable, technologized violence of the interceding years. Against the backdrop of his critical failures in Austria and West Germany, and recasting his apology for the untimeliness of all great works of music, he wrote: “The true creative artist does not wish to recreate for his fellow man the headlines screaming of atom bombs, murder, and sensationalism found in the daily paper.”\",\"PeriodicalId\":186845,\"journal\":{\"name\":\"Korngold and His World\",\"volume\":\"43 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2019-08-27\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Korngold and His World\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.2307/j.ctvdjrp0h.18\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Korngold and His World","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2307/j.ctvdjrp0h.18","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
这一章包含了埃里希·科恩戈尔德最后发表的关于音乐的声明。他在信中只字未提自己的身份。1955年10月,在他最后一次沮丧地从欧洲回国后不到半年的时间里,他写了一首《信仰音乐!他在《采访笔记》(Notes for a Interview)中概述了自己的观点。然而,他将其更新为战后世界,以集体见证最近难以想象的科技暴力。以他在奥地利和西德的批评失败为背景,并重新为所有伟大的音乐作品的不合时宜而道歉,他写道:“真正有创造力的艺术家不希望为他的同胞再现日报上那些尖叫着原子弹、谋杀和耸人听闻的头条新闻。”
This chapter contains Erich Korngold's last published statement on music. In it he made no mention of his own. Written in October 1955, less than half a year after what would turn out to be his final, dispirited return from Europe, “Faith in Music!” recapitulates a position he outlined in “Notes for an Interview.” However, he updates it for the postwar world, with its collective witness to what had recently been the unimaginable, technologized violence of the interceding years. Against the backdrop of his critical failures in Austria and West Germany, and recasting his apology for the untimeliness of all great works of music, he wrote: “The true creative artist does not wish to recreate for his fellow man the headlines screaming of atom bombs, murder, and sensationalism found in the daily paper.”